The Oxford Handbook of Music and Disability Studies
Language: English
Published by OUP USA, 2015
- Hardcover
- New
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Like race, gender, and sexuality, disability is a social and cultural construction. Music, musicians, and music-making simultaneously embody and shape representations and narratives of disability. Disability - culturally stigmatized minds and bodies - is one of the things that music in all times and places can be said to be about. Editor(s): Howe, Blake; Jensen-Moulton, Stephanie; Lerner, Neil; Straus, Joseph. Series: Oxford Handbooks. Num Pages: 952 pages, illustrations. BIC Classification: AVA; JFFG. Category: (G) General (US: Trade). Dimension: 185 x 256 x 60. Weight in Grams: 1728. . 2015. hardcover. . . . . Books ship from the US and Ireland.
Seller Inventory # V9780199331444
- Title
- The Oxford Handbook of Music and Disability Studies
- Author
- . Ed(s): Howe, Blake; Jensen-Moulton, Stephanie; Lerner, Neil; Straus, Joseph
- Publisher
- OUP USA
- Publication year
- 2015
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0199331448
- ISBN 13
- 9780199331444
The Oxford Handbook of Disability Studies represents a comprehensive "state of current research" for the field of Disability Studies and Music. The forty-two chapters in the book span a wide chronological and geographical range, from the biblical, the medieval, and the Elizabethan, through the canonical classics of the eighteenth and nineteenth centuries, up to modernist styles and contemporary musical theater and popular genres, with stops along the way in post-Civil War America, Ghana and the South Pacific, and many other interesting times and places. Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, and mobility impairment often coupled with bodily deformity. Cultural Disability Studies has, from its inception, been oriented toward physical and sensory disabilities, and has generally been less effective in dealing with cognitive and intellectual impairments and with the sorts of emotions and behaviors that in our era are often medicalized as "mental illness." In that context, it is notable that so many of these essays are centrally concerned with madness, that broad and ever-shifting cultural category. There is also in impressive diversity of subject matter including YouTube videos, Ghanaian drumming, Cirque du Soleil, piano competitions, castrati, medieval smoking songs, and popular musicals.
Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments. First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity.
"Synopsis" may belong to another edition of this title.
About the Author
Stephanie Jensen-Moulton is Assistant Professor of Musicology at Brooklyn College, City University of New York.
Neil Lerner is Professor of Music and Co-Coordinator of the Interdisciplinary Minor in Film & Media Studies at Davidson College.
Joseph Straus is Distinguished Professor of Music at the Graduate Center of the City University of New York.
"About the title" may belong to another edition of this title.
Kennys Bookstore
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