This volume is a new annotated edition of J.H. Prynne’s 1983 poem The Oval Window, making use of photographs taken by the poet at the time and place of composition, together with a substantial portfolio supplied by him of source and reference material. This source material includes political and economic news published during the period in early autumn 1983 when the poem was written, together with extracts from literature, Eastern and Western philosophy, optics, anatomy, computer programming language, and a considerable quantity of ancient Chinese poetry.
The edition has two commentary essays: the first primarily concerned with approaches to reading, including the use of search engines, and with the relations between different elements in the work, and the second with the topography and the critical antecedents of the poem. For ease of reading, a clean reading text is included as well as the annotated text.
The expanded third edition of Prynne's Poems (2015) was published by Bloodaxe in 2015 and was followed by the supplementary Poems 2016-2024 in 2024.
J.H. Prynne (1936-2026) was Britain's leading late Modernist poet. His Poems (1982) collected all the work he wanted to keep in print up to that point, beginning with Kitchen Poems (1968). An expanded and updated version was published by Bloodaxe Books with Fremantle Arts Centre Press in 1999 as Poems. Four further collections were added to the second edition of Poems in 2005, followed by a further seven along with a group of uncollected poems to the third edition of Poems (2015).
The decade following Poems (2015) was the most productive period of Prynne's life, with over thirty limited editions published between 2017 and 2023. To have added these to a fourth edition of Poems would have doubled the size of that volume. His Poems 2016–2024 was therefore a separate, supplementary edition of his later work, including, except for minor corrections, the unchanged contents of 34 texts, from Each to Each (2017), written in 2016, to Hadn't Yet Bitten (2023), as well as the corrected 2023 text of At Raucous Purposeful (2022). His later work was published by Face Press in four further pamphlets: From Obsidian Cobalt (2024), Doric Plumage (2025), Which Scarf Match (2026) and Single Tangle Mine (2026).
Prynne published a wide range of critical and academic prose, including works on Saussure, Wordsworth, Shakespeare. His essay on New Songs from a Jade Terrace, an anthology of early Chinese love poetry, was included in the second edition of the book from Penguin in 1982. He also wrote poetry in classical Chinese under the name Pu Ling-en. His 1969 collection The White Stones – central to his poetics – was reissued in 2016 by New York Review Books with an introduction by Peter Gizzi. An annotated, illustrated edition of his 1983 collection The Oval Window, edited by N.H. Reeve and Richard Kerridge, was published by Bloodaxe in 2018.
Prynne's most productive decade also saw the publication of three prose works, Graft and Corruption: Shakespeare's Sonnet 15 (2015/2016), Apophthegms (2017) and Whitman and Truth (2022), along with editions of Prynne's correspondence with Charles Olson (2017) and Douglas Oliver (2022). His two-volume Collected Prose is forthcoming from Oxford University Press (New York). A seminal interview with Jeff Doven and Joshua Kotin, 'J.H. Prynne: The Arts of Poetry No.101', was published in Paris Review, 218 (Fall 2016).
Jeremy Halvard Prynne grew up in Kent and studied at St Dunstan's College in Catford and Jesus College, Cambridge. He was a Life Fellow of Gonville and Caius College, Cambridge. In 2005 he retired from teaching English Literature as a Lecturer and from his posts as University Reader in English Poetry for the University of Cambridge and Director of Studies in English for Gonville and Caius College; he retired as Librarian of the College in 2006.
