Le tome premier de ces trois ouvrages traite de nos d�couvertes sous l’appellation ; Orion et la Tradition Primordiale. Pour nos lecteurs, il ne fait de doute qu’un immense pactole culturel �tale ces fondements sur la surface de la n�cropole de Gizeh en �gypte. Invisible aux regards et parfaitement ignor�e d’une g�n�ralit� de nos contemporains, cette d�couverte fait depuis peu l’objet d’�tudes s�rieuses, lesquelles pourraient remettre en question les fondements m�me de l’histoire que l’on nous enseigne. Il est question d’une science cach�e de caract�re �trange, h�ritage probable d’une civilisation lointaine, dont la tradition dite � Primordiale � remonte � plus de 12 500 ans de notre �re.

Par le gigantisme de ses œuvres, l’originalit� de son art et la profondeur de sa mystique, l’�gypte Antique lance un d�fi � notre monde contemporain. Plus que jamais, cette ancestrale civilisation interpelle l’esprit, le corps et l’�me. Ne lui pr�tons-nous pas le don d’harmoniser ses infinit�s de myst�res et d’apparences, pour les �lever des mœurs ent�n�br�es de la Terre � la vo�te �toil�e des Cieux ?

Pour nous les modernes � omniscientes cr�atures du futur, � elle est au mieux un paradoxe de l’�volution. Mais, pour quelques �tres �veill�s, elle n’est pas seulement une �nigme de l’histoire, elle est une raison d’esp�rer en la nature humaine. L’�gypte des pyramides que nous nous appr�tons � d�couvrir, n’a pas pu se r�aliser elle-m�me, on l’a fond� et des mill�naires durant, elle est rest�e fid�le � ses initiateurs primordiaux. Elle les nommait � Tepi-aoui-qerr-en-pet � ou plus commun�ment les N�terou ou Akerou, c’�tait au premier temps � Zep Tepi �, selon toute vraisemblance, sous l’�ge du Lion. Ils furent suivis par � les shemsou Hor ou les suivants d’Horus � (Horus est le fils d’Isis et d’Osiris).

Quels �taient ces myst�rieux pr�curseurs, ces �veilleurs de conscience, ces �tres � lumineux et v�n�rables � que nous sugg�rent les textes ? Pour mieux saisir le caract�re peu conventionnel des th�mes que nous allons aborder, il nous faut tenter d’expliciter l’esprit en lequel les Anciens �gyptiens concevaient leurs repr�sentations graphiques. Si nous nous attardons sur les fresques et autres bas-reliefs qui s’offrent � notre regard profane, nous constatons que le panorama est plat, d�muni d’ombres port�es et que la succession des plans fait d�faut. L’�gyptien de la haute �poque faisait donc appel � sa m�moire visuelle pour ordonnancer et compl�ter son approche iconographique.

About the Author

Georges Vermard, ancien journaliste et r�alisateur de films didactiques, est un auteur fran�ais dont les travaux se concentrent sur la "Tradition Primordiale". Il a consacr� un demi-si�cle � la recherche des myst�res des civilisations anciennes, notamment l'�gypte et les pyramides de Gizeh. Ses livres, comme la s�rie "La Tradition Herm�tique" ou "Om�ga Alpha", explorent des sujets tels que l'�gyptologie, l'astronomie et la symbolique. Il a co-fond� l'association "Horizon 444". Ses d�couvertes, souvent controvers�es, remettent en question l'histoire conventionnelle.

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