Original Intentions : Essays on Production, Reproduction, and Interpretation in the Arts of China
Language: English
Published by University Press Of Florida Apr 2012, 2012
- Hardcover
- New
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
AbeBooks seller since August 14, 2006
Condition: New
£ 92.95
Quantity: 2 available
Add to basketItem description from seller
Neuware - For both museums and collectors, questions of ''authenticity'' often dominate the decision to acquire a new work. This issue is especially thorny for Westerners when dealing with Chinese art. Believing that everything has a precedent, Chinese artists were never bashful about reproducing art, typically seeing less of a difference between the original work and reproductions. As a result, replication has often been considered a fundamental mode of production in Chinese art, with roots extending to antiquity. In turn, some collectors would knowingly brandish originals next to replicas while others completely rejected the idea of imitations as artworks. The essays in Original Intentions explore the highly controversial questions of faking, copying, and replicating Chinese painting, bronzes, ceramics, works on paper, and sculpture. Offering a broad range of perspectives on conservation, technical analysis, social history, and collecting, the contributors to the volume explore the question of authenticity in the arts of China. Essays feature both theoretical and object-based research in a broad chronological framework, addressing a wide range of issues in both Chinese and Western contexts.…
Seller Inventory # 9780813039725
- Title
- Original Intentions : Essays on Production, Reproduction, and Interpretation in the Arts of China
- Author
- Nicholas Pearce
- Publisher
- University Press Of Florida Apr 2012
- Publication year
- 2012
- Condition
- Neu
- Binding
- Buch
- Language
- English
- ISBN 10
- 081303972X
- ISBN 13
- 9780813039725
- Item weight
- 2,205 grams
- Dimensions
- 319x268x35 mm
For both museums and collectors, questions of ""authenticity"" often dominate the decision to acquire a new work. This issue is especially thorny for Westerners when dealing with Chinese art. Believing that everything has a precedent, Chinese artists were never bashful about reproducing art, typically seeing less of a difference between the original work and reproductions. As a result, replication has often been considered a fundamental mode of production in Chinese art, with roots extending to antiquity. In turn, some collectors would knowingly brandish originals next to replicas while others completely rejected the idea of imitations as artworks.
The essays in Original Intentions explore the highly controversial questions of faking, copying, and replicating Chinese painting, bronzes, ceramics, works on paper, and sculpture. Offering a broad range of perspectives on conservation, technical analysis, social history, and collecting, the contributors to the volume explore the question of authenticity in the arts of China. Essays feature both theoretical and object-based research in a broad chronological framework, addressing a wide range of issues in both Chinese and Western contexts.
"Synopsis" may belong to another edition of this title.
About the Author
Nicholas Pearce, professor of Chinese art and Head of the School of Culture and Creative Arts at the University of Glasgow, is the author of Photographs of Peking, China, 1861-1908. Jason Steuber, Cofrin Curator of Asian Art for the Samuel P. Harn Museum of Art at the University of Florida, is the author of China: 3000 Years of Art and Literature.
"About the title" may belong to another edition of this title.
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