Old Italian Masters (Classic Reprint)
Language: English
Published by Forgotten Books, 2024
- Softcover
- New
Seller: Forgotten Books, London, United KingdomForgotten Books
AbeBooks seller since June 2, 2021
Condition: New
£ 18.43
Quantity: Over 20 available
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Print on Demand. This book brings to life a chapter in the history of Italian Renaissance painting, featuring a fascinating voyage through the works of some of its most significant masters, from the early days of the movement to its culmination. The author, an expert in the field, takes the reader on a chronological journey to meet the men and marvel at the art that emerged from the 13th to the 16th century. Along the way, the reader can discover how these artists not only mastered techniques and media but also pushed the boundaries of artistic development, evolving the natural, emotive, and visually striking style that characterizes the Renaissance. This book offers a fresh perspective on the history of Italian Renaissance painting, highlighting the continuum of artistic expression and the way in which innovations in this era emerged gradually from the artistic milieu of the time. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book.…
Seller Inventory # 9780282359713_0
- Title
- Old Italian Masters (Classic Reprint)
- Author
- Timothy Cole, W. J. Stillman
- Publisher
- Forgotten Books
- Publication year
- 2024
- Condition
- New
- Book Type
- print-on-demand item
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0282359710
- ISBN 13
- 9780282359713
- Seller catalogs
- Painting and Drawing
Like all revolutions, this became proscriptive - the Old Mas ters became the derision of every aspirant, and naturalism the only art. This also was excess, and is followed by reaction. Na ture will not teach art, and the exclusive pursuit of her indications can only lead to a simulacrum of art, in which the vital spirit of it can by no chance enter. Art is the expression of all the spiritual faculties of man, passion for beauty, aspiration of the imagination, the manifestation of the individual in his inmost nature. For this nature can only furnish an alphabet, types whose meaning only sympathy can unfold, and which become the language of art. The sense of the insufficiency of the so-called naturalistic art has brought those who craved the real art-influence to look back to the earlier schools, and the result has been that we have found again the springs of art and the true meaning of the desecrated word Ideal, the ivisible expression of which is the mission of art, z'. E., the individual conception of beauty taken in its largest sense, as what is most desirable and attractive in conceivable form - not to be confounded with the actual, and probably-never existing in nature. The Italian Renaissance was in no wise a re turn to nature as model, but a reawakening of the spiritual activity of the race after a torpor of ages, and which demanded the means of expression of itself. As the religious passion was dominant in that phase of Italian development, the religious motive was that which caught the inspiration; but this was incidental - the essen tial fact was that the art was not an appeal to nature but a form of poetic speech, the telling of a spiritual truth, not the rela tion of a natural phenomenon or fact. It was the poet, not the scientist, that appeared.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"Synopsis" may belong to another edition of this title.
Forgotten Books
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Forgotten Books’ Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the quality of the aged text.
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FB &c Ltd
Dalton House, 60 Windsor Avenue
London, United Kingdom SW19 2RR
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Forgotten Books publishes hundreds of thousands of rare and classic books.
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value.
The digital edition of all books may be viewed before purchase if you request a sample.
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