Object: Photo. Modern Photographs: The Thomas Walther Collection 1909-1949

Lee Daffner, Mitra Abbaspour, Maria Hambourg, Quentin Bajac,

ISBN 10: 0870709410 / ISBN 13: 9780870709418

Published by Museum of Modern Art January 2015, 2015

About this Item

'OBJECT: PHOTO' contains brilliant photographs from the first half of the twentieth century--the most dynamic and radical period in the development of modern photography--but it explores them using a new approach: instead of privileging the content of the images, it shifts the dialogue to the photographic object--the actual, physical thing created by a particular artist using particular techniques at a precise time, surviving into the present with a unique history. This perspective provides new insight into the singular nature of each work and the density of references that each contains while also acknowledging the cultural importance of photography from the interwar period--as well as the rarity of its best examples. Recognition of this importance informed The Museum of Modern Art's acquisition, in 2001, of the 341 modernist photographs that now constitute the Thomas Walther Collection, each presented in this volume in special 5 color reproductions and accompanied by an unprecedented degree of detailed information, constituting new standards for the field. 'OBJECT: PHOTO 'represents the culmination of four years of research by the Museum's Departments of Photography and Conservation and by more than two dozen visiting scholars, demonstrating in its varied voices their remarkable collaborations with the works and with each other. Essays by historians, curators and conservators consider such topics as the political and cultural pressures shaping the formation of the photographic avant-garde in Europe, the reception of modernist photography at the time and in subsequent revivals of interest in it, the intellectual backgrounds that were then generating new histories of photography, the standards and rationale for material analysis of photographs and the physical qualities of the photographs in the Walther collection as evidence of the development of photographic materials during the period. Thematic object-based case studies demonstrate new multidimensional approaches to the photograph as a cultural and artistic object in its own right.

Seller Inventory # 177143

Bibliographic Details

• Title: Object: Photo. Modern Photographs: The Thomas Walther Collection 1909-1949
• Publisher: Museum of Modern Art January 2015
• Publication Date: 2015
• Language: English
• ISBN 10: 0870709410
• ISBN 13: 9780870709418
• Binding: Hardcover
• Condition: New
• Seller catalogs:
  • Photography - Collections - General

About this title

Synopsis

OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians’ considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art’s Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography’s sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography.

About the Author

Mitra Abbaspour is an art historian and curator, formerly Associate Curator in the Department of Photography at the Museum of Modern Art.

Lee Ann Daffner is Conservator of Photographs at The Museum of Modern Art.

Maria Morris Hambourg is the founding curator of the Department of Photographs at the Metropolitan Museum of Art.

Quentin Bajac is The Joel and Anne Ehrenkranz Chief Curator of Photography at The Museum of Modern Art.

Jim Coddington has served as The Agnes Gund Chief Conservator at The Museum of Modern Art since 2002.

Constance McCabe is Head of the Photograph Conservation Department at The National Gallery of Art.

Matthew S. Witovsky is the Richard and Ellen Sandor Chair and Curator, Department of Photography, at The Art Institute of Chicago.