The Object of Labor Art, Cloth and Cultural Production
Livingstone, Joan and Ploof, John
Language: English
Published by MIT School of the Art Institute, 2007
- Hardcover
- Used
Seller: Dave Wilhelm Books, Evanston, IL, U.S.A.Dave Wilhelm Books
AbeBooks seller since March 19, 2001
Condition: Used - Very good
£ 26.99
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Book and dust jacket solid VG. Full number line.
Seller Inventory # 14634
- Title
- The Object of Labor Art, Cloth and Cultural Production
- Author
- Livingstone, Joan and Ploof, John
- Publisher
- MIT School of the Art Institute
- Publication year
- 2007
- Condition
- Very Good
- Dust jacket
- Very Good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0262122901
- ISBN 13
- 9780262122900
- Item weight
- 57 ounces
- Dimensions
- 7x1x9
Essays and artists' projects explore the ubiquity of cloth in everyday life and the effect of globalization on art and labor; with more than 100 color images.
The Object of Labor explores the personal, political, social, and economic meaning of work in the context of art and textile production. The ubiquity of cloth in everyday life, the historically resonant relationship of textile and cloth to labor, and the tumultuous drive of globalization make the issues raised by this pubication of special interest today. The seventeen essays cover topics ranging from art-making practices to labor history and the effects of globalization as seen through art and labor. The artists' projects―twelve striking and beautiful eight-page, full color spreads―conduct parallel investigations into art, cloth, and work.The contributors explore, from historical and personal perspectives, such subjects as the charged history of offshore garment workers; the different systems of production and consumption in factories, homes, studios, and exhibitions; the revelation of class, gender, and sexuality through cloth, costume, and textile images; textile production as commemorative acts in South Africa, the United States, and India; transnationalism, cultural hybridity, and race in the work of individual artists; lost histories of garment production and embroidery; the physical act of art-making as labor; and the value of handmade and "technologically improved" objects.
Artist projects and portfolios
Susie Brandt, Nick Cave, Park Chambers, Lisa Clark, Lia Cook, Ann Hamilton, Kimsooja, Barbara Layne and Sue Rowley, Lara Lepionka, Merrill Mason, Darrel Morris, Pepón Osorio, J. Morgan Puett and Iain Kerr, Karen Reimer, Yinka Shonibare, SubRosa, Christine Tarkowski, Anne Wilson
"Synopsis" may belong to another edition of this title.
About the Author
John Ploof is an artist and Chair of the Department of Art Education at the School of the Art Institute of Chicago. He works with his urban neighbors in Chicago on participatory public projects. As a member of the internationally acclaimed artists' collective Haha, his work has been shown at the Aperto, XLV Venice Biennale; Grimaldi Forum, Monaco; MASS MoCA; The New Museum of Contemporary Art, New York; and the Institute of Contemporary Art, Boston.
"About the title" may belong to another edition of this title.
Dave Wilhelm Books
Evanston, IL, U.S.A.
AbeBooks seller since March 19, 2001
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Chess, Modern Fiction, History, Literary Criticism, Psychology, Music, Film, Art, Photography, ScienceSeller's business information
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