O'Hurley's Return: Skin Deep\Without a Trace (The O'hurleys). This item is unavailable.O'Hurley's Return: Skin Deep\Without a Trace (The O'hurleys)

The O'Hurley family saga concludes with a combination of passion, danger and heartfelt emotion that only #1 New York Times & USA TODAY bestselling author Nora Roberts can provide.

Skin Deep

Regrets. Even movie stars have them. Chantel O'Hurley's family was far away, her mansion was empty, and when she was threatened, there was no one to turn to. There was certainly no comfort in Quinn Doran. He looked like he'd been carved out of stone and he was just as intractable. But in that hardness was a promise: "I will keep you safe. I will bring you home." But could she get him to stay?

Without a Trace

Redemption. With everything he'd seen and done, Trace O'Hurley was way past that. And nothing the ?ame-haired Irish beauty Gillian Fitzpatrick said could change the fact that he was just a disillusioned man with nothing left to lose. But somehow Gillian made him believe that he could do the impossible—rescue her family, take down a terrorist organization. Ask for forgiveness. Be one of the O'Hurleys again. At last.

The house was big and cool and white. In the early-morning hours, a breeze came through the terrace doors Chantel had left unlatched, bringing in the scents of the garden. Across the lawn, hidden from the main house by trees, was a gazebo, painted white, with wisteria climbing up the trellises. Sometimes, when the wind was right, Chantel could catch the perfume from her bedroom window.

On the east side of the lawn was an elaborate marble fountain. It was quiet now. She rarely had it turned on when she was alone. Near it was the pool, an octagonal stone affair skirted by a wide patio and flanked by another, smaller, white house. There was a tennis court beyond a grove of trees, but it had been weeks since she'd had the time or the inclination to pick up a racket.

Surrounding the estate was a stone fence, twice as tall as a man, that alternately gave her a sense of security or the feeling of being hemmed in. Still, inside the house, with its lofty ceilings and cool white walls, she often forgot about the fence and the security system and the electronic gate; it was the price she paid for the fame she had always wanted.

The servants' quarters were in the west wing, on the first floor. No one stirred there now. It was barely dawn, and she was alone. There were times Chantel preferred it that way.

As she bundled her hair under a hat, she didn't bother to check the results in the three-foot mirror in her dressing room. The long shirt and flat-heeled shoes she wore were chosen for comfort, not for elegance. The face that had broken men's hearts and stirred women's envy was left untouched by cosmetics. Chantel protected it by pulling down the brim of her hat and slipping on enormous sunglasses. As she picked up the bag that held everything she thought she would need for the day, the intercom beside the door buzzed.

She checked her watch. Five forty-five. Then she pushed the button. "Right on time."

"Good morning, Miss O'Hurley."

"Good morning, Robert. I'll be right down." After flipping the switch that released the front gate, Chantel started down the wide double staircase that led to the main floor. The mahogany rail felt like satin under her fingers as she trailed them down. Overhead, a chandelier hung, its prisms quiet in the dim light. The marble floor shone like glass. The house was a suitable showcase for the star she had worked to become. Chantel had yet to take any of it for granted. It was a dream that had rolled from, then into, other dreams, and it took time and effort and skill to maintain. But then she'd been working all her life and felt entitled to the benefits she had begun to reap.

As she walked to the front door, the phone began to ring.

Damn it, had they changed the call on her? Because she was up and the servants weren't, Chantel crossed the hall to the library and lifted the receiver. "Hello." Automatically she picked up a pen and prepared to make a note.

"I wish I could see you right now." The familiar whisper had her palms going damp, and the pen slipped out of her hand and fell soundlessly on the fresh blotter. "Why did you change your number? You're not afraid of me, are you? You mustn't be afraid of me, Chantel. I won't hurt you. I just want to touch you. Just touch you. Are you getting dressed? Are you?"

With a cry of despair, Chantel slammed down the receiver. The sound of her breathing in the big, empty house seemed to echo back to her. It was starting again.

Minutes later, her driver noticed only that she didn't give him the easy, flirtatious smile she usually greeted him with before she climbed into the back of the limo. Once inside, Chantel tipped her head back, closed her eyes and willed herself to calm. She had to face the camera in a few hours and give it her best. That was her job. That was her life. Nothing could be allowed to interfere with that, not even the fear of a whisper over the phone or an anonymous letter.

By the time the limo passed through the studio gates, Chantel had herself under control again. She should be safe here, shouldn't she? Here she could pour herself into the work that still fascinated her. Inside the dozens of big domed buildings, magic happened, and she was part of it. Even the ugliness was just pretend. Murder, mayhem and passion could all be simulated. Fantasyland, her sister Maddy called it, and that was true enough. But, Chantel thought with a smile, you had to work your tail off to make the fantasy real.

She was sitting in makeup at six-thirty and having her hair fussed over and styled by seven. They were in the first week of shooting, and everything seemed fresh and new. Chantel read over her lines while the stylist arranged her hair into the flowing silver-blond mane her character would wear that day.

"Such incredible bulk," the stylist murmured as she aimed the hand-held dryer. "I know women who would sell their blue-chip stocks for hair as thick as this. And the color!" She bent down to eye level to look in the mirror at the results of her work. "Even I have a hard time believing it's natural."

"My grandmother on my father's side." Chantel turned her head a bit to check her left profile. "I'm supposed to be twenty in this scene, Margo. Am I going to pull it off?"

With a laugh, the stringy redhead stood back. "That's the least of your worries. It's a shame they're going to dump rain all over this." She gave Chantel's hair a final fluff.

"You're telling me." Chantel stood when the bib was removed. "Thanks, Margo." Before she'd taken two steps, her assistant was at her elbow. Chantel had hired him because he was young and eager and had no ambitions to be an actor. "Are you going to crack the whip, Larry?"

Larry Washington flushed and stuttered, as he always did during his first five minutes around Chantel. He was short and well built, fresh out of college, and had a mind that soaked up details. His biggest ambition at the moment was to own a Mercedes. "Oh, you know I'd never do that, Miss O'Hurley."

Chantel patted his shoulder, making his blood pressure soar. "Somebody has to. Larry, I'd appreciate it if you'd scout up the assistant director and tell him I'm in my trailer. I'm going to hide out there until they're ready to rehearse." Her co-star came into view carrying a cigarette and what Chantel accurately gauged to be a filthy hangover.

"Would you like me to bring you some coffee, Miss O'Hurley?" As he asked, Larry shifted to distance himself. Everyone with brains had quickly figured out that it was best to avoid Sean Carter when he was dealing with the morning after.

"Yes, thanks." Chantel nodded to a few members of the crew as they tightened up the works on the first set, a train station, complete with tracks, passenger cars and a depot. She'd say her desperate goodbyes to her lover there. She could only hope he'd gotten his headache under control by then.

Larry kept pace with her as she crossed the set, walking under lights and around cables. "I wanted to remind you about your interview this afternoon. The reporter from Star Gaze is due here at twelve-thirty. Dean from publicity said he'd sit in with you if you wanted."

"No, that's all right. I can handle a reporter. See if you can get some fresh fruit, sandwiches, coffee. No, make that iced tea. I'll do the interview in my dressing room."

"All right, Miss O'Hurley." Earnestly he began to note it down in his book. "Is there anything else?"

She paused at the door of her dressing room. "How long have you been working for me now, Larry? "

"Ah, just over three months, Miss O'Hurley."

"I think you could start to call me Chantel." She smiled, then closed the door on his astonished pleasure.

The trailer had been recently redecorated for her taste and comfort. With the script still in her hand, Chantel walked through the sitting room and into the small dressing area beyond. Knowing her time was limited, she didn't waste it. After stripping out of her own clothes, she changed into the jeans and sweater she would wear for the first scene.

She was to be twenty, a struggling art student on the down slide of her first affair. Chantel glanced at the script again. It was good, solid. The part she'd gotten would give her an opportunity to express a range of feeling that would stretch her creative talents. It was a challenge, and all she had to do was take advantage of it. And she would. Chantel promised herself she would.

When she had read Strangers she'd cast herself in the part of Hailey, the young artist betrayed by one man, haunted by another; a woman who ultimately finds success and loses love. Chantel understood Hailey. She understood betrayal. And, she thought as she glanced around the elegant little room again, she understood success and the price that had to be paid for it.

Though she knew her lines cold, she kept the script with her as she went back to the sitting room. With luck she would have time for one quick cup of coffee before they ran through the scene. When she was working on a film, Chantel found it easy to live off coffee, a quick, light lunch and more coffee. The part fed her. There was rarely time for shopping, a dip in the pool or a massage at the club until a film was wrapped. Those were rewards for a job well done.

She started to sit, but a vase of vivid red roses caught her eye. From one of the studio heads, she thought as she walked over to pick up the card. When she opened it, the script slid out of her hand and onto the floor. "I'm watching you always. Always."

At the knock on her door, she jerked back, stumbling against the counter. The scent of the roses at her back spread, heady and sweet. With a hand to her throat, she stared at the door with the first real fear she'd ever experienced.

"Miss O'Hurley?Chantel, it's Larry. I have your coffee."

With a breathless sob, she ran across the room and jerked open the door. "Larry?"

"It's black the way you?What's wrong?"

"I?I just?" She cut herself off. Control, she thought desperately. You lose everything if you lose control. "Larry, do you know anything about these flowers?" She gestured back, but couldn't look at them.

"The roses. Oh, one of the caterers found them while she was setting up breakfast. Since they had your name on them, I went ahead and put them in here. I know how much you like roses."

"Get rid of them."

"But?"

"Please." She stepped out of the dressing room. People. She wanted lots of people around her. "Just get rid of them, Larry."

"Sure." He stared at her back as she walked toward the set. "Right away."

Four aspirin and three cups of coffee had brought Sean Carter back to life. It was time to work, and nothing could be allowed to interfere with that?not a hangover, not a few frightening words printed on a card. Chantel had worked hard to project an image of glamour and style. She'd worked just as hard not to develop a reputation as a temperamental actress. She was ready when called and always knew her lines. If a scene took ten hours to shoot, then it took ten hours. She reminded herself of all of this as she approached Sean and their director.

"How come you always look as though you stepped out of the pages of a fashion magazine?" Sean grumbled, but Chantel observed that makeup had dealt with the shadows under his eyes. His skin was tanned and shaved smooth. His thick, mahogany-colored hair was styled casually, falling across his brow. He looked young, healthy and handsome, the dream lover for an idealistic girl.

Chantel lifted a hand and let it rest on his cheek. "Because, darling, I did."

"What a woman." Because the aspirin had made him

feel human again, Sean grabbed Chantel and leaned her back in a dramatic dip. "Let me ask you this, Rothschild," he said, calling to the director while his lips hovered inches from Chantel's. "How could a man in his right mind leave a woman like this?"

"It hasn't been established that you?or Brad," Mary Rothschild corrected, referring to the role, "is in his right mind."

"And you're such a cad," Chantel reminded Sean.

Pleased to remember it, Sean brought her up again. "I haven't played a real cad in about five years. I don't think I've properly thanked the writer yet."

"You can do it later today," Rothschild told him. "He's over there."

Chantel glanced over to the tall, rangy man who stood, chain-smoking nervously, on the edge of the set. She'd met him a handful of times in meetings and during pre-production. As she recalled, he had said little that hadn't dealt directly with his book or his characters. She sent him a vaguely friendly smile before turning back to the director.

As Rothschild outlined the scene, she pushed everything else out of her mind. All that would be left was the heartbreak and hope her character felt as her lover slipped away. Mechanically, their minds on angles and continuity, she and Sean went over their brief but poignant love scene.

"I think I should touch your face like this." Chantel reached up to rest her palm on his cheek and looked pleadingly into his eyes.

"Then I'll take your wrist." Sean wrapped his fingers around it, then turned her palm to his lips.