New Perspectives on Narrative and Multimodality
Language: English
Published by Routledge, 2011
- Softcover
- New
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nach der Bestellung gedruckt Neuware - Printed after ordering - This study investigates the richly diverse but integrated semiotic potential of storytelling. Unlike other interdisciplinary approaches to narrative studies which have privileged the study of words in storytelling, this unique collection provides a much needed analysis of how narrative operates using combinations of visual, typographic, aural, gestural and haptic resources. Although both multimodal theory and narrative studies have been invigorated by a variety of theoretical approaches, this volume seeks to avoid a single dominant paradigm. Instead, the contributors use literary criticism, linguistics and new media frameworks in a series of critical studies that are directly engaged with a range of multimodal stories. The contributors analyze works that include oral accounts of personal experience, opera, cartoons, print literature and new media forms of storytelling such as experimental digital fiction and fanfiction.
Seller Inventory # 9780415516563
- Title
- New Perspectives on Narrative and Multimodality
- Author
- Ruth Page
- Publisher
- Routledge
- Publication year
- 2011
- Condition
- Neu
- Binding
- Taschenbuch
- Language
- English
- ISBN 10
- 0415516560
- ISBN 13
- 9780415516563
- Item weight
- 360 grams
- Dimensions
- 229x152x13 mm
- Series
- Book 1 of 46: Routledge Studies in Multimodality
The contributors in this collection question what kinds of relationships hold between narrative studies and the recently established field of multimodality, evaluate how we might develop an analytical vocabulary which recognizes that stories do not consist of words alone, and demonstrate the ways in which multimodality brings into fresh focus the embodied nature of narrative production and processing. Engaging with a spectrum of multimodal storytelling, from ‘low tech’ examples encompassing face-to-face stories, comic books, printed literature, through to opera, film adaptation and television documentary, stretching beyond to narratives that employ new media such as hypertext, performance art, and interactive museum guides, this volume examines the interplay of semiotic codes (visual, oral, aural, haptic, physiological) within each case under scrutiny, thereby exposing both points of commonality and difference in the range of multimodal narrative experiences.
"Synopsis" may belong to another edition of this title.
About the Author
Ruth Page is a Reader in the School of English at Birmingham City University. She is the author of Literary and Linguistic Approaches to Feminist Narratology (Palgrave, 2006), and co-editor of New Narratives: Stories and Storytelling in the Digital Age (UNP, forthcoming).
"About the title" may belong to another edition of this title.
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