[National Center for Experiments in Television meeting transcripts from the library of Joanne Kyger]

Published by N.p., 1968

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Seller: Granary Books, Brooklyn, NY, U.S.A.Granary Books

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Item description from seller

17 corner-stapled, 8 ½ x 14 in. packets of mimeograph transcripts, totaling 446 pages. A comprehensive collection of mimeograph transcripts from the library of poet Joanne Kyger related to The National Center for Experiments in Television. The NCET was run by Brice Howard and Paul Kaufman starting in 1967 out of San Francisco's public television station KQED, where Howard served as the Director of the KQED-San Francisco's Rockefeller Foundation-funded artists' workshop. Seeking to provide a space in which artists could use television itself as a medium, Howard established a roster of artists-in-residence in the programs early years that included Joanne Kyger, the painter William Gwyn, the artist and inventor Stephen Beck, designer Willard Rosenquist, filmmaker and physicist Loren Sears, and artist Don Hallock. Transcripts vary in length and document conversations and meetings between these artists-in-residence along with Howard and other early figures involved in the NCET, including Charles Olson and Joel Katz, offering extensive and unique insights into the first year of the NCET's operations. Transcripts are corner-stapled and each packet contains one to six transcripts transcribed from different reels. Reel numbers are noted in the top right-hand corner on the first page of each transcript. Transcripts include: 1: September 12, 1967: three transcripts totaling 31 pages. 2: September 14, 1967: four transcripts totaling 51 pages, with final page detached from staple. 3: September 15, 1967: four transcripts totaling 38 pages. 4: September 19, 1967: three transcripts totaling 30 pages. 5: September 28, 1967: two transcripts totaling 19 pages, with pp. 2-8 of the second transcripts containing one to two neat slits down the length of the page, with lengths varying and at times running almost the duration of the page. These slits do not destroy any text, though page 8 is missing a portion of the paper on the right edge, with the text unaffected. 6: October 5, 1967: one transcript, ten pages, with final page detached from staple. 7: January 3, 1968: one transcript, 12 pages. 8: January 4, 1968: two transcripts totaling 25 pages. 9: February 1, 1968: two transcripts totaling 22 pages. 10: February 2 and March 1, 1968: five transcripts totaling 58 pages. 11: March 19, 1968: one transcript, eight pages. 12: April 2, April 4, 1968: six transcripts totaling 49 pages, noted as the Charles Olson transcripts. 13: April 7, 1968: two transcripts totaling 21 pages, noted as the Joel Katz transcripts. 14: April 9, 1968: three transcripts totaling 25 pages, and likely a continuation of the April 7 Joel Katz transcripts. 15: April 16, 1968: two transcripts totaling 13 pages. 16: May 7, 1968: two transcripts totaling 13 pages. 17: May 14, 1968: two transcripts totaling 21 pages. All transcripts are in good to very good condition and across the grouping exhibit varying levels of toning, wear, evidence of handling, and foxing.…

Seller Inventory # 3997

Bibliographic details

Title
[National Center for Experiments in Television meeting transcripts from the library of Joanne Kyger]
Author
[Kyger, Joanne, Brice Howard, Charles Olson, et al.]
Publisher
N.p.
Publication year
1968
Seller catalogs
Archives & Collections, Poetry

Granary Books

Brooklyn, NY, U.S.A.

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AbeBooks seller since July 21, 2020

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Publisher and rare book dealer in poetry, artists' books, and archives. View more on our website at www.granarybooks.com.

Specialty

1960s to 1980s, small presses, artists' books, little magazines, poetry

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Granary Books, Inc.

168 Mercer St. #2
New York, NY U.S.A. 10012

For over thirty-five years, Granary Books has brought together writers, artists, and bookmakers to investigate verbal/visual relations in the time-honored spirit of independent publishing. Our mission to produce, promote, document, and theorize new works exploring the intersection of word, image, and page has earned Granary Books a reputation as one of the most unique and significant small publishers operating today.

Our project has been strengthened by our involvement in the organization, preservation, and sale of archives, manuscripts, and rare books by important contemporary writers and artists. While publishing remains central to Granary's purpose, we are also deeply involved with a widespread and local community of writers, poets, and artists. For years Granary occupied a gallery space in SoHo, hosting countless public events, lectures, and readings while curating exhibits related to books, book art, poetry, and writing. Now, from headquarters on Mercer Street, recent projects include Threads Talks Series, a book with audio recordings available on Penn Sound;From a Secret Location, a digital repository of little magazines, small presses, and other materials from the mimeo area; and continued involvement in exhibitions and publishing.

We believe that Granary's publishing, preservation, and community outreach has significant long-term implications for the fields of writing and book art. Since the mid-nineties, Granary has sought to produce, promote, and contextualize scholarship investigating an emerging history of small press publishing, poetry, and artists books. Many of the books we have produced in this vein, including Johanna Drucker's essential The Century of Artists Books, Jerome Rothenberg and Steve Clay's A Book of the Book: Some Works & Projections About the Book & Writing, and Steve Clay and Rodney Phillips's A Secret Location on the Lower East Side are now being used as textbooks at the college level, further opening and legitimizing the field for a new generation of scholars and practitioners.

Granary Books remains committed to publishing innovative written and visual work, observing progressive scholarship, and supporting adventurous bookmaking while exploring the relationships between seeing and reading, reading and seeking.