Musical Novel : Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction
Language: English
Published by Camden House, 2014
- Hardcover
- New

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- Title
- Musical Novel : Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction
- Author
- Petermann, Emily
- Publisher
- Camden House
- Publication year
- 2014
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 1571135928
- ISBN 13
- 9781571135926
"Synopsis" may belong to another edition of this title.
Review
[A] necessary work of methodology, refining and clarifying prior attempts at intermedial analysis into a toolset that offers much as a foundation for future works of criticism. H-MUSIC
For the scholar of musical fiction, this book is of great interest. JIVE-TALK.COM
[O]f significant interest not only to the literary scholar but also to the philosopher of art. . . . Petermann's exploration of th[e] literary subgenre [of the "musical novel"], defined as "musical not primarily in terms of its content, but in its very form" (p.2) invites us to rethink a series of classical problems - the essence of music, boundaries of art forms, musical sense and meaning, the relation between music and language - through the lens of these peculiar textual artworks. UNIVERSA. RECENSIONI DI FILOSOFIA
Selected as a CHOICE Outstanding Academic Title of 2014
[A]n important contribution to the field of word and music studies. . . . Petermann offers a theory of intermediality that standardizes the features of novels that "transpos[e] elements of music." . . . . [E]xpertly crafted. . . . If for no other reason, one should read The Musical Novel to enjoy the author's elegant language --Petermann's prose was music to this reviewer's ears. Highly recommended. CHOICE
Petermann makes a strong and patient case for a thriving tradition of intermediality, and one - this is what distinguishes her book from earlier passes at the subject - that crucially involves audience expectations and reception as part of the equation: knowing the Goldberg Variations or a particular jazz standard provides a subliminal framework for fictional improvisation which a reader unfamiliar with the music might lack. TLS
The musical knowledge that Petermann displays throughout her book is as sound as her literary background: this promotes illuminating insights for readers coming from both worlds. . . . [Her] theory of intermediality is entirely persuasive and plausible, and as such it is highly useful to anybody seeking to expand further the field of word and music studies. Overall . . . a most thoughtful and comprehensive formalist approach to intermediality in general and the musical novel in particular. MUSIC & LETTERS
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