Music and Trance: A Theory of the Relations Between Music and Possession
Language: English
Published by University of Chicago Press, 1985
- Softcover
- Used
Seller: Gleebooks, Sydney, NSW, AustraliaGleebooks
AbeBooks seller since October 30, 2017
Condition: Used - Very good
£ 24.36
Quantity: 1 available
Add to basketItem description from seller
xiii, 395pp, b/w illus., notes, bibliography, discography, filmography, index. Two minor creases to back cover. Light wear to same. Light foxing to edges. Otherwise very good tight clean copy. BHS 12/25.
Seller Inventory # ABE-1765175561901
- Title
- Music and Trance: A Theory of the Relations Between Music and Possession
- Author
- Rouget, Gilbert
- Publisher
- University of Chicago Press
- Publication year
- 1985
- Condition
- Very Good
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0226730069
- ISBN 13
- 9780226730066
- Seller catalogs
- Anthropology, Music
Ritual trance has always been closely associated with music—but why, and how? Gilbert Rouget offers and extended analysis of music and trance, concluding that no universal law can explain the relations between music and trance; they vary greatly and depend on the system of meaning of their cultural context.
Rouget rigorously examines a worldwide corpus of data from ethnographic literature, but he also draws on the Bible, his own fieldwork in West Africa, and the writings of Plato, Ghazzali, and Rousseau. To organize this immense store of information, he develops a typology of trance based on symbolism and external manifestations. He outlines the fundamental distinctions between trance and ecstasy, shamanism and spirit possession, and communal and emotional trance. Music is analyzed in terms of performers, practices, instruments, and associations with dance. Each kind of trance draws strength from music in different ways at different points in a ritual, Rouget concludes. In possession trance, music induces the adept to identify himself with his deity and allows him to express this identification through dance.
Forcefully rejecting pseudo-science and reductionism, Rouget demystifies the so-called theory of the neurophysiological effects of drumming on trance. He concludes that music's physiological and emotional effects are inseparable from patterns of collective representations and behavior, and that music and trance are linked in as many ways as there are cultural structures.
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From the Back Cover
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Gleebooks
Sydney, NSW, Australia
AbeBooks seller since October 30, 2017
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