Music in the Disruptive Era
VArious
Sold by Libreria Studio Bosazzi, Firenze, FI, Italy
AbeBooks Seller since 11 December 2009
New - Hardcover
Condition: New
Ships from Italy to U.S.A.
Quantity: 1 available
Add to basketSold by Libreria Studio Bosazzi, Firenze, FI, Italy
AbeBooks Seller since 11 December 2009
Condition: New
Quantity: 1 available
Add to basketDavid Hurwitz, Pedro Ordoñez Eslava (eds). Pages: xii + 272 p. NEW. hardback. Illustrations:34 b/w Language(s):English. Brepols, Publication Year:2022 - SUMMARY «Music in the Disruptive Era» contains fifteen essays assessing the impact of today s revolutionary digital technologies on the ways audiences and industry professionals perceive, compose, consume, research, and communicate about music. After an initial assessment of the Disruptive Era in a series of six snapshots offering a summary and review of some of the technological challenges (and opportunities) confronting both music producers and consumers, a group of international scholars considers the impact of the digital era in three major areas. First, there is the revolution in data storage and retrieval, with online archives and other digital resources making an unprecedented volume and diversity of information available to scholars and researchers for the first time all from the convenience of a home desktop. Second, three essays assess some of the myriad ways in which composers and music industry professionals have been influenced by the potentialities and discontinuities of the current age to find creative inspiration, attract new audiences, and reimagine traditional musical idioms. Finally, on the cutting edge of the digital divide, scholarly contributors examine two of the countless new genres birthed by the advent of the latest technological innovations: specifically, the meme and the video loop. TABLE OF CONTENTS The Disruptive Era Cande Sánchez Olmos & Eduardo Viñuela The End of the Amateur Music Video Dream (as We Expected It): From YouTube to TikTok Christine Hine Audiences and Self-Calibration in a Digital Society Corinnna Herr Classical Musicians on YouTube: Online Performance Practice and the Digital Divide Pedro Buil Tercero Disruptive Technology in the Music Industry: Format Crisis and Consumption Habits in Spain in the Digital Age Simon Nugent The Inception of Time : Film Music and Participatory Culture in the Digital Age Sources and the Digital Nico Schüler Online Research Methods for Rediscovering Forgotten Composers: Using Online Databases and Archives Michael Klaper & Thomas Radecke The Weimar Playbill Database, 1754-1990: Scientifically Disseminating Historical Sources of Music- and Theatre-Ephemera Material Online Andreas Helles Pedersen On Digital Music History: A Contemplation on Digital Archives and Musical Experience Creation and Musical Performance Joseph Jackson Adapting Music Business to the Digital Age: Grime Music, YouTube Algorithms and New Network Cultures Violetta Kostka Paweł Szymański and His Transformation of Musical Conventions Pedro Ordóñez Eslava Disrupting the duende, from the cuarto to the Web 4.0 New Genres Joana Freitas Meme Is a New Music Genre : On the Role of Production, Transformation and Circulation of Music in the Digital Culture of Internet Memes Marjolein Wellink The Immaterial Record Sleeve? Engaging the Listener with Spotify s Canvas Video Loop Jonas Wolf Meme Music ? Forms and Formats of Hypermemetics Re-Composition Index of Name.
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