From
CitiRetail, Stevenage, United Kingdom
Seller rating 5 out of 5 stars
AbeBooks Seller since 29 June 2022
Hardcover. The Great War of 1914-1918 was fought on the battlefield, on the sea and in the air, and in the heart. Museums Victorias exhibition World War I: Love and Sorrow exposed not just the nature of that war, but its depth and duration in personal and familial lives. Hailed by eminent scholar Jay Winter as "one of the best which the centenary of the Great War has occasioned", the exhibition delved into the wars continuing emotional claims on descendants and on those who encounter the war through museums today. Contributors to this volume, drawn largely from the exhibitions curators and advisory panel, grapple with the complexities of recovering and presenting difficult histories of the war. In eleven essays the book presents a new, more sensitive and nuanced narrative of the Great War, in which families and individuals take centre stage. Together they uncover private reckonings with the costs of that experience, not only in the years immediately after the war, but in the century since. This volume exposes at once the nature of World War I and its depth and duration in personal lives. Contributors, including historians, museum professionals and cultural heritage specialists, grapple with the complexities of interpreting and representing the private experience and costs of the war in museums and historical practice. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780367487546
The Great War of 1914-1918 was fought on the battlefield, on the sea and in the air, and in the heart. Museums Victoria’s exhibition World War I: Love and Sorrow exposed not just the nature of that war, but its depth and duration in personal and familial lives. Hailed by eminent scholar Jay Winter as "one of the best which the centenary of the Great War has occasioned", the exhibition delved into the war’s continuing emotional claims on descendants and on those who encounter the war through museums today. Contributors to this volume, drawn largely from the exhibition’s curators and advisory panel, grapple with the complexities of recovering and presenting difficult histories of the war. In eleven essays the book presents a new, more sensitive and nuanced narrative of the Great War, in which families and individuals take centre stage. Together they uncover private reckonings with the costs of that experience, not only in the years immediately after the war, but in the century since.
About the Author:
Joy Damousi is Professor of History at the University of Melbourne. She is the author of The Labour of Loss: Mourning, Memory and Wartime Bereavement in Australia (1999) and co-editor (with Paula Hamilton) of A Cultural History of Sound, Memory and the Senses (2017).
Deborah Tout-Smith is Senior Curator, Home & Community, in the Society & Technology Department of Museums Victoria. She has curated major exhibitions including World War I: Love & Sorrow (2014), and curates Museum Victoria’s Military History, Home & Community and Childhood collections. Deborah is Vice-chair of the Board of ICOM Australia.
Bart Ziino is Senior Lecturer in History at Deakin University. He has published widely on the politics of memory and commemoration. He is the author of A Distant Grief: Australians, War Graves and the Great War (2007), and editor of Remembering the First World War (2015).
Title: Museums, History and the Intimate Experience...
Publisher: Taylor & Francis Ltd, London
Publication Date: 2020
Binding: Hardcover
Condition: new