Mobility and Identity in Us Genre Painting : Painting at the Threshold
Language: English
Published by Taylor & Francis Sep 2024, 2024
- Softcover
- New
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
AbeBooks seller since August 14, 2006
Condition: New
£ 71.14
Quantity: 2 available
Add to basketItem description from seller
Neuware - This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in US genre paintings during the second half of the long nineteenth century (c. 1860-1910).Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824-1906), Enoch Wood Perry, Jr. (1831-1915), Thomas Hovenden (1840-95), and John Sloan (1871-1951). It also complicates art history's canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by, instead, privileging portrayals of social flux and geographic instability.The book will be of interest to scholars working in art history, literature, American studies, and cultural geography.
Seller Inventory # 9780367654764
- Title
- Mobility and Identity in Us Genre Painting : Painting at the Threshold
- Author
- Lacey Baradel
- Publisher
- Taylor & Francis Sep 2024
- Publication year
- 2024
- Condition
- Neu
- Binding
- Taschenbuch
- Language
- English
- ISBN 10
- 0367654768
- ISBN 13
- 9780367654764
- Item weight
- 449 grams
- Dimensions
- 246x174x37 mm
- Series
- Book 43 of 91: Routledge Research in Art History
This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in US genre paintings during the second half of the long nineteenth century (c. 1860–1910).
Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824–1906), Enoch Wood Perry, Jr. (1831–1915), Thomas Hovenden (1840–95), and John Sloan (1871–1951). It also complicates art history’s canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by, instead, privileging portrayals of social flux and geographic instability.
The book will be of interest to scholars working in art history, literature, American studies, and cultural geography.
"Synopsis" may belong to another edition of this title.
About the Author
Lacey Baradel is a historian of the art of the United States. She has taught at the University of Washington, Seattle, and at Vassar College.
"About the title" may belong to another edition of this title.
Shipping rates from Germany to U.S.A.
| Item | 7 to 10 business days | 5 to 7 business days |
|---|---|---|
| First item | £ 29.21 | £ 37.56 |
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