Metamorphosis

Metamorphosis

Franz Kafka

Translated by David Wyllie

 

The Metamorphosis (German: Die Verwandlung, also sometimes translated as The Transformation) is a novella by Franz Kafka, first published in 1915. It has been called one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the Western world.

The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed (metamorphosed) into a large, monstrous insect-like creature. The cause of Gregor's transformation is never revealed, and Kafka himself never gave an explanation. The rest of Kafka's novella deals with Gregor's attempts to adjust to his new condition as he deals with being burdensome to his parents and sister, who are repelled by the horrible, verminous creature Gregor has become.

One day, Gregor Samsa, a traveling salesman, wakes up to find himself transformed into a giant insect (the most common translation of the German description ungeheures Ungeziefer, literally "monstrous vermin"). He believes it is a dream and reflects on how dreary life as a traveling salesman is. As he looks at the wall clock, he notices that he has overslept and missed his train for work. He ponders the consequences of this delay. Gregor becomes annoyed at how his boss never accepts excuses or explanations from any of his employees no matter how hard-working they are, displaying an apparent lack of trusting abilities. Gregor's mother knocks on the door, and he answers her. She is concerned for Gregor because he is late for work, which is unorthodox for him. Gregor answers his mother and realizes that his voice has changed, but his answer is short, so his mother does not notice. His sister, Greta, to whom he was very close, then whispers through the door and begs him to open it. He tries to get out of bed but is incapable of moving his body. While trying to move, he finds that his office manager, the chief clerk, has shown up to check on him. He finally rocks his body to the floor and calls out that he will open the door shortly.

Offended by Gregor's delayed response in opening the door, the clerk warns him of the consequences of missing work. He adds that Gregor's recent performance has been unsatisfactory. Gregor disagrees and tells him that he will open the door shortly. Nobody on the other side of the door has understood a single word he had uttered (Gregor is unaware that his voice has also transformed), and they conclude that he is seriously ill. Finally, Gregor manages to unlock and open the door with his mouth. He apologizes to the office manager for the delay. Horrified by Gregor's appearance, his mother faints, and the manager bolts out of the apartment. Gregor tries to catch up with him, but his father drives him back into the bedroom with a cane and a rolled newspaper. Gregor injures himself squeezing back through the doorway, and his father slams the door shut. Gregor, exhausted, falls asleep.

" Kafka' s stoic Euro-alienation meets and merges with Kuper' s thoroughly American rock and roll alienation." -- Jules Feiffer
" The ride from book to comic can be bumpy. Mr. Kuper navigates the transition with precision." -- New York Times
" Kafka' s anguished archetypal characters are easily rendered into visual equivalents and given new life in Kuper' s raw, expressionistic graphic style." -- Publishers Weekly
" Darkly appropriate . . . Kuper' s work rivals that of Art Spiegelman." -- Chicago Sun-Times
" Bubbling beneath the surface is a caustic batch of black humor that is as much unsettling as it is absurd. This is the magic of Kafka. And Kuper gives it a postmodern edge here, with an intriguing dance of picture and text." -- Gannett News Service
" Kuper' s scratchboard style . . . is reminiscent of the German expressionist artists . . . and his cartoony approach accentuates Kafka' s dark humor." -- Booklist

"From the Hardcover edition."

Kafka s stoic Euro-alienation meets and merges with Kuper s thoroughly American rock and roll alienation. Jules Feiffer
The ride from book to comic can be bumpy. Mr. Kuper navigates the transition with precision. New York Times
Kafka s anguished archetypal characters are easily rendered into visual equivalents and given new life in Kuper s raw, expressionistic graphic style. Publishers Weekly
Darkly appropriate . . . Kuper s work rivals that of Art Spiegelman. Chicago Sun-Times
Bubbling beneath the surface is a caustic batch of black humor that is as much unsettling as it is absurd. This is the magic of Kafka. And Kuper gives it a postmodern edge here, with an intriguing dance of picture and text. Gannett News Service
Kuper s scratchboard style . . . is reminiscent of the German expressionist artists . . . and his cartoony approach accentuates Kafka s dark humor. Booklist

From the Hardcover edition."

"Kafka's stoic Euro-alienation meets and merges with Kuper's thoroughly American rock and roll alienation."--Jules Feiffer

"The ride from book to comic can be bumpy. Mr. Kuper navigates the transition with precision."--New York Times

"Kafka's anguished archetypal characters are easily rendered into visual equivalents and given new life in Kuper's raw, expressionistic graphic style."--Publishers Weekly

"Darkly appropriate . . . Kuper's work rivals that of Art Spiegelman."--Chicago Sun-Times

"Bubbling beneath the surface is a caustic batch of black humor that is as much unsettling as it is absurd. This is the magic of Kafka. And Kuper gives it a postmodern edge here, with an intriguing dance of picture and text."--Gannett News Service

"Kuper's scratchboard style . . . is reminiscent of the German expressionist artists . . . and his cartoony approach accentuates Kafka's dark humor."--Booklist

From the Hardcover edition.