Memory and Intermediality in Artists' Moving Image
Language: English
Published by Springer Nature Switzerland AG, CH, 2021
Series: Book 3 of 4 - Experimental Film and Artists’ Moving Image
- Softcover
- New
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
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Add to basketItem description from seller
This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists' remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists' film and video, the following chapters identify five different mnemonic modes in artists' moving image: critical nostalgia, database narrative, the 'echo-chamber', documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.…
Seller Inventory # LU-9783030473983
- Title
- Memory and Intermediality in Artists' Moving Image
- Author
- Sarah Durcan
- Publisher
- Springer Nature Switzerland AG, CH
- Publication year
- 2021
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 3030473988
- ISBN 13
- 9783030473983
- Edition
- 2021 ed.
- Series
- Book 3 of 4: Experimental Film and Artists’ Moving Image
This book addresses the preoccupation with memory in contemporary artists’ moving image installations. It situates artists’ moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists’ remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists’ film and video, the following chapters identify five different mnemonic modes in artists’ moving image: critical nostalgia, database narrative, the ‘echo-chamber’, documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.
"Synopsis" may belong to another edition of this title.
About the Author
Sarah Durcan is Programme Leader of the MFA Fine Art, National College of Art and Design, Dublin, Ireland. She is a contributor to Extended Temporalities (2016), Moving Image Review and Art Journal and Screening the Past.
"About the title" may belong to another edition of this title.
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