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Melodramatic Imperial Writing: From the Sepoy Rebellion to Cecil Rhodes

Hultgren, Neil Emory

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ISBN 10: 0821420852 / ISBN 13: 9780821420850
Published by Ohio University Press
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Melodrama has long been criticized for its reliance on improbable situations and overwhelming emotion. These very aspects, however, made it a useful and appealing literary mode for British imperial propagandists in the late 19th century. This book locates the melodramatic mode within a new and considerably nuanced history of British imperialism. Num Pages: 256 pages. BIC Classification: 1FKA; 2AB; DSBF; DSBH. Category: (G) General (US: Trade). Dimension: 236 x 196 x 22. Weight in Grams: 530. . 2014. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland. Bookseller Inventory # V9780821420850

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Bibliographic Details

Title: Melodramatic Imperial Writing: From the ...

Publisher: Ohio University Press

Binding: Hardcover

Book Condition: New

About this title

Synopsis:

“Neil Hultgren has produced a persuasive and accessible text focusing on two significant leitmotifs. First, he widens our understanding of the range of melodramatic writing, both temporally and spatially, by arguing for its broader literary and historical significance. Second, he focuses on melodrama’s relationship with British imperial writing of the late nineteenth century in a bid to resurrect it from its reputation as merely a conveyor of violent and jingoistic propaganda. Emphasizing three common themes in the melodramatic mode...and by moving beyond the early stage to include novels, short stories, and poems, he makes a persuasive case for its diversity and significance.” —Modern Language ReviewMelodrama is often seen as a blunt aesthetic tool tainted by its reliance on improbable situations, moral binaries, and overwhelming emotion, features that made it a likely ingredient of British imperial propaganda during the late nineteenth century. Yet, through its impact on many late-Victorian genres outside of the theater, melodrama developed a complicated relationship with British imperial discourse.

Melodramatic Imperial Writing positions melodrama as a vital aspect of works that underscored the contradictions and injustices of British imperialism. Beyond proving useful for authors constructing imperialist fantasies or supporting unjust policies, the melodramatic mode enabled writers to upset narratives of British imperial destiny and racial superiority.

Neil Hultgren explores a range of texts, from Dickens’s writing about the 1857 Sepoy Rebellion to W. E. Henley’s imperialist poetry and Olive Schreiner’s experimental fiction, in order to trace a new and complex history of British imperialism and the melodramatic mode in late-Victorian writing.

About the Author:

Neil Hultgren is an associate professor of English at California State University, Long Beach, where he teaches courses in British literature and Victorian studies. He has written on Wilkie Collins, H. Rider Haggard, and Oscar Wilde, and his articles have appeared in such venues as Literature Compass and Victorians Institute Journal.

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