From Melies to New Media: Spectral Projections
Haslem, Wendy
Sold by Diatrope Books, Berkeley, CA, U.S.A.
AbeBooks Seller since 15 December 2011
Used - Soft cover
Condition: Used - Very good
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Add to basketSold by Diatrope Books, Berkeley, CA, U.S.A.
AbeBooks Seller since 15 December 2011
Condition: Used - Very good
Quantity: 1 available
Add to basketUnmarked. Illustrated. Using a media archaeology approach, this book explores the presence and importance of film history in digital culture. Topics include early film experiments, digital restorations of silent films, German Expressionist film, post-noir cinema, and more.
Seller Inventory # 30918
From Méliès to New Media contributes to a dynamic stream of film history that is just beginning to understand that new media forms are not only indebted to but firmly embedded within the traditions and conventions of early film culture. Adopting a media archaeology, this book will present a comparative examination of cinema including early film experiments with light and contemporary music videos, silent film and their digital restorations, German Expressionist film and post-noir cinema, French Gothic film and the contemporary digital remake, Alfred Hitchcock’s films exhibited in the gallery, post medium films as abstracted light forms and interactive digital screens revising experiments in precinema. Media archaeology is an approach that uncovers the potential of intermedial research as a fluid form of history. It envisages the potential of new discoveries that foreground forgotten or marginalised contributions to history. It is also an approach that has been championed by influential new historicists like Thomas Elsaesser as providing the most vibrant and productive new histories (2014).
Wendy Haslem teaches and researches the intersections of film history and new media. At present, she is a lecturer in screen studies at the University of Melbourne. She is a co-creator of The Godzilla Project, an interactive, multimedia portal designed to introduce students to film history, atomic culture and trauma cinema using 1950s disaster films. Wendy teaches in screen studies and arts and cultural management, coordinating subjects that include film noir, censorship and exhibition.
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