Material Modernity: Innovations in Art, Design, and Architecture in the Weimar Republic
Language: English
Published by Bloomsbury Publishing PLC, 2022
- Hardcover
- New
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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Condition: New
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Add to basketItem description from seller
2022. Hardcover. . . . . .
Seller Inventory # V9781350228733
- Title
- Material Modernity: Innovations in Art, Design, and Architecture in the Weimar Republic
- Author
- Ascher Barnstone Deb
- Publisher
- Bloomsbury Publishing PLC
- Publication year
- 2022
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 1350228737
- ISBN 13
- 9781350228733
While art historians usually argue that experimentation in the Weimar Republic was the result of an intentional rejection of traditional modes of expression in the conscious attempt to invent a modern art and architecture unshackled from historic media and methods, this volume shows that the drivers for innovation were often far more complex and nuanced. It first of all describes how the material shortages precipitated by the First World War, along with the devastation to industrial infrastructure and disruption of historic trade routes, affected art, as did a spirit of experimentation that permeated interwar German culture. It then analyzes new challenges in the 1920s to artistic conventions in traditional art modes like painting, sculpture, drawing, architecture, textiles, and print-making and simultaneously probes the likely causes of innovative new methods of artistic production that appeared, such as photomontage, assemblage, mechanical art, and multi-media art. In doing so, Material Modernity fills a significant gap in Weimar scholarship and art history literature.
"Synopsis" may belong to another edition of this title.
About the Author
Maria Makela is Professor Emerita of the California College of the Arts, USA. She holds a PhD in art history from Stanford University. Makela has published widely in exhibition catalogues, edited anthologies, and periodicals on topics as diverse as fashion, rayon, New Objectivity, Dada, Expressionism, film, nationalism, sexology, and typology. Much of her research has focused on gender and sexuality in visual culture. She is the author of The Munich Secession: Art and Artists in Turn-of-the-Century Munich (1990) and co-editor of Of Truths Impossible to Put in Words: Max Beckmann Contextualized (2009). In 1996 she co-curated a traveling retrospective of the work of Hannah Höch and co-authored the accompanying catalog, The Photomontages of Hannah Höch. Makela serves on the editorial board of German Quarterly and on the advisory board of the Visual Cultures and German Contexts book series, which publishes under the Bloomsbury Visual Arts imprint.
"About the title" may belong to another edition of this title.
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