Maman
Language: English
Published by Paul Holberton Publishing Ltd, GB, 2018
- Softcover
- New
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
AbeBooks seller since June 11, 2025
Condition: New
£ 17.64
Quantity: 10 available
Add to basketItem description from seller
Madame Vuillard is a particular focus of the work produced during the initial decade of Édouard Vuillard's (1868 - 1940) career, the 1890s, when Vuillard was a member of the Nabis and forging an artistic identity as part of the Parisian avant-garde. During this period Vuillard and his widowed mother shared a series of modest rented apartments in central Paris in which the artist sustained a works-on-paper and (from 1897) amateur photographic practice out of his 'studio-bedroom,' whilst in the dining room Madame Vuillard ran the corsetry business employing a handful of seamstresses including Vuillard's sister. In these apartments Vuillard and Madame Vuillard operated mutually supportive, parallel working practices, to the extent that Vuillard put his mother and the fabric of her atelier 'in the picture' whilst she posed for his pencil and camera or developed his photographs in the kitchen. Their Parisian co-habitation, and Vuillard's portrayal of his mother across a range of pictorial media, lasted until Madame Vuillard's death as an elderly woman in 1928.…
Seller Inventory # LU-9781911300465
- Title
- Maman
- Author
- Francesca Berry, Mathias Chivot
- Publisher
- Paul Holberton Publishing Ltd, GB
- Publication year
- 2018
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1911300466
- ISBN 13
- 9781911300465
- Item weight
- 340 grams
- Dimensions
- 21.08 x 1.02 x 21.08 cm
This mutuality of working and living practice will constitute one of the themes of this unique loan exhibition, drawn from UK and Parisian collections and featuring paintings, lithographs and other works on paper as well as photographs. It will also explore the diverse domestic roles and responsibilities of a petit-bourgeois widow at the turn of the century in works that portray Madame Vuillard as seamstress; resting after dinner; imparting maternal advice and care to her daughter; as a woman at her toilette; and as the apartment’s cook and cleaner. The exhibition will also foreground Vuillard’s practice as modernist artist by focusing on the maternal fi gure in relation to the specifi c formal properties of his work. These include, in the 1890s at least, the paintings’ diminutive size; their shallow, simplifi ed compositional structure worked over with dense webs or matt patches of pigment; and the omission of spaces between fi gures and things. It was the intimacy (sometimes serious or witty, often banal) of their maternal motifs, the intimate formal relation between fi gure and ground and the intimate
viewing conditions these small works required of their viewers that caught the attention of Vuillard’s earliest critics, who in the 1890s fi rst labeled him an ‘intimiste’ artist. This exhibition and accompanying illustrated catalogue will locate Madame Vuillard as muse, as motif and
as everyday practical support at the core of Vuillard’s developing Intimism; an artistic corpus spanning 40 years.
The exhibition catalogue will feature an essay on Madame Vuillard’s role in her son’s practice by the exhibition’s curator, Dr Francesca Berry, and an essay on Vuillard and photography by Mathias Chivot of the Archives Vuillard-Archives Roussel, Paris.
"Synopsis" may belong to another edition of this title.
Review
"Surprisingly, given the important role [Vuillard's mother] played in his art, there has never beed an exhibition focusing on their devoted relationship... Maman asks how Vulliard could summon progressive art out of the ostensibly banal world of petit-bourgeois domesticity... For all their quiet modesty, and debt to traditional domestic interiors by Vermeer, Vuillard's "intimiste" painting have a surprising radical quality."-- (10/01/2018)
"Well-chosen exhibition ... elaborates how Vuillard's intimism, both his formal project to push the limits of representation by dissolving the figure in enveloping interior space, and his thematic concern with the warmth/claustrophobia of petit bourgeois experience, depended on his closeness to his mother."-- (10/01/2018)
"Compelling ... in bringing her forward, the curators show just how much Madame Vuillard recede into the ambience she created, but also into her inner self. Vuillard allows her to be constantly present and yet fully as private as any human being." --Observer
"Stunning works"--Times (10/01/2018)
"Charming ... these intimate pictures are a radical departure from the usual French fin-de-siècle celebrations of woman as love object, let alone sex object. They're a celebration of 'her indoors' from a filial perspective: images of female domestic industry and the atmosphere in which it was wrapped -- an atmosphere Vuillard had breathed since childhood."-- (11/01/2018)
"[An] intimate portrayal of the relationship between the artist and his mother."--Country Life (12/01/2018)
"About the title" may belong to another edition of this title.
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