Malerei der Renaissance in Italien, Vol 1 Die Malerei des 14 Bis 16 Jahrhunderts in Mittelund Unteritalien Classic Reprint
Language: English
Published by Forgotten Books, 2018
- Hardcover
- New
Seller: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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Condition: New
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Seller Inventory # LX-9780366911882
- Title
- Malerei der Renaissance in Italien, Vol 1 Die Malerei des 14 Bis 16 Jahrhunderts in Mittelund Unteritalien Classic Reprint
- Author
- Konrad Escher
- Publisher
- Forgotten Books
- Publication year
- 2018
- Condition
- New
- Binding
- HRD
- Language
- English
- ISBN 10
- 0366911880
- ISBN 13
- 9780366911882
- Item weight
- 487 grams
So wenig wie die Schwesterkünste ist auch die_malerei trotz der vielen Anregungen und Entlehnungen im Einzelnen eine Nachahmung des klassischen Altertums, das man damals erst in seinen spätesten Erzeugnissen und in den Werken seiner Maler überhaupt erst seit etwa 1500 und auch dann nur in sehr beschränktem Umfang kannte. Jede Epoche sah ja zu dem das Altertum mit anderen Augen an. Wenn das ausgehende Quattrocento mit seinem Hang zu Beweglichkeit und Dramatik dieses Ideal im Pathos und dem Gewand stil der hellenistischen Kunst wiederfand, so fühlte sich die Hochrenaissance dem Altertum in der Betonung der artikulierten, s/inrigemäßen Form, der Harmonie aller Teile und der gesättigten Ruhe wesensverwandt; damals begann die bewußte Nachahmung zu Fälschungs zwecken.
Im Gegensatz zum Norden liegt in Mittelitalien der Nachdruck auf dem Fréskogemälde. Eine strenge aber heilsame, weil durchaus großzügige Erziehung zum Monumentalstil verdankte die italienische Malerei zunächst der byzantinischen Wandmalerei und Mosaikkunst, die in Flächengliederung, Reduktion der Erscheinung auf wenige große Eindrücke, in Ausbildung der Ikonographie und in Prägnanz der Darstellung einen dem alten Orient ebenbürtigen Stil ge schaffen hatte. Aber das lateinische Element-befreite sich schon früh von der herben Strenge, indem es die feierliche unumstößliche Gesetzmäßigkeit mittels eigenem Wohllaut der Linien und freieren Beziehungen der Bildteile zueinander milderte und die traditionellen und dekorativen Ausdruckswerte durch mehr individuelle ersetzte. Daß die Baukunst des Trecento wie des Quattrocento die Wand und Gewölbeflächen mit ihren breiten und ge schlossenen einfachen Räumen die Wandmalerei im weitesten Maßstab begünstigte, bedarf keines Nachweises.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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PBShop.store US
Wood Dale, IL, U.S.A.
AbeBooks seller since April 7, 2005
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