The Making of the Sympathetic Imagination : Transformations of Sympathy in British Eighteenth-Century Philosophy and Fiction

Roman Alexander Barton

ISBN 10: 311062401X / ISBN 13: 9783110624014

Published by De Gruyter, De Gruyter, 2020

About this Item

Druck auf Anfrage Neuware - Printed after ordering - How is it that we feel with fictional characters and so approve or disapprove of their actions For many British Enlightenment thinkers writing at a time when sympathy was the pivot of ethics as well as poetics, this question was crucial. Asserting that the notion of the sympathetic imagination prominent in Romantic criticism and poetry originates in Moral Sentimentalism, this study traces the emergence of what became a key concept of intersubjectivity. It shows how, contrary to earlier traditions, Francis Hutcheson and his disciples successively established the imagination rather than reason as the pivotal faculty through which sympathy is rendered morally effective. Writing at the interface of ethics and poetics, Adam Smith, Lord Kames and others explored the sympathetic imagination as a means of both explaining emotional reader response and discovering moral distinctions. As a result, the sentimental novel became the sight of ethical controversy. Arguing against the dominant view of research which claims that the novel of sensibility is mostly uncritically sentimental, the book demonstrates that it is precisely in this genre that the sympathetic imagination is sceptically assessed in terms of its literary and moral potential.

Seller Inventory # 9783110624014

Bibliographic Details

• Title: The Making of the Sympathetic Imagination : Transformations of Sympathy in British Eighteenth-Century Philosophy and Fiction
• Publisher: De Gruyter, De Gruyter
• Publication Date: 2020
• Language: English
• ISBN 10: 311062401X
• ISBN 13: 9783110624014
• Binding: Buch
• Condition: Neu
• Dimensions: 246W x 175H x 18D millimeters 246 millimeters width by 175 millimeters height by 18 millimeters depth
• Weight: 558 grams

About this title

Synopsis

How is it that we feel with fictional characters and so approve or disapprove of their actions? For many British Enlightenment thinkers writing at a time when sympathy was the pivot of ethics as well as poetics, this question was crucial. Asserting that the notion of the sympathetic imagination prominent in Romantic criticism and poetry originates in Moral Sentimentalism, this study traces the emergence of what became a key concept of intersubjectivity. It shows how, contrary to earlier traditions, Francis Hutcheson and his disciples successively established the imagination rather than reason as the pivotal faculty through which sympathy is rendered morally effective. Writing at the interface of ethics and poetics, Adam Smith, Lord Kames and others explored the sympathetic imagination as a means of both explaining emotional reader response and discovering moral distinctions. As a result, the sentimental novel became the sight of ethical controversy. Arguing against the dominant view of research which claims that the novel of sensibility is mostly uncritically sentimental, the book demonstrates that it is precisely in this genre that the sympathetic imagination is sceptically assessed in terms of its literary and moral potential.

About the Author

Roman Alexander Barton, Humboldt University, Berlin, Germany.