The Making of Modern Muslim Selves through Architecture (Hardcover)
Farhan S. Karim
Sold by AussieBookSeller, Truganina, VIC, Australia
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Add to basketSold by AussieBookSeller, Truganina, VIC, Australia
AbeBooks Seller since 22 June 2007
Condition: New
Quantity: 1 available
Add to basketHardcover. An analysis of boundaries and boundary-making. This collection explores alternative definitions of bounded identities, facilitating new approaches to spatial and architectural forms. Taking as its starting point the emergence of a new definition of boundary in the wake of the twentieth-century transformation of large, heterogeneous empires into a mosaic of nation-states in the Islamic world, it shows how that new sense of boundaries not only determines the ways we imagine and construct the idea of modern citizenship, but also redefines relationships among the nation, citizenship, cities, and architecture. The contributors investigate how architecture mediates the creation and deployment of boundaries and boundedness and how architecture might be considered as a means to understand the relationship between flows and boundaries and its implications for how we define the modern self. Addresses the question of how architecture defined broadly mediates the forces that constitute various forms of flows and boundaries, and thus creates nuanced definitions of Muslim selves. It book discusses how different experiences of partition and consolidation informed or resisted architectural developments and urban planning. 167 b/w illus. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Seller Inventory # 9781789388510
This collection seeks to explore alternative definitions of bounded identities, facilitating new approaches to spatial and architectural forms. Taking as its starting point the emergence of a new sense of ‘boundary’ emerged from the post-19th century dissolution of large, heterogeneous empires into a mosaic of nation-states in the Islamic world. This new sense of boundaries has not only determined the ways in which we imagine and construct the idea of modern citizenship, but also redefines relationships between the nation, citizenship, cities and architecture.
It brings critical perspectives to our understanding of the interrelation between the accumulated flows and the evolving concepts of boundary in predominantly Muslim societies and within the global Muslim diaspora. Essays in this book seeks to investigate how architecture mediates the creation and deployment of boundaries and boundedness that have been devised to define, enable, obstruct, accumulate and/or control flows able to disrupt bounded territories or identities.
More generally, the book explores how architecture might be considered as a means to understand the relationship between flows and boundaries and its implication of defining modern self. The essays in this volume collectively address how the construction of self is primarily a spatial event and operated within the crucial nexus of power-knowledge-space.
Contributors investigate how architecture mediates the creation and deployment of boundaries and boundedness, how architecture might be considered as a means to understand the relationship between flows and boundaries and its implications for how we define the modern self.
Part of the Critical Studies in Architecture of the Middle East series.
Patricia Blessing is Associate Professor of Art and Art History at Stanford University. Blessing is the author of Rebuilding Anatolia after the Mongol Conquest: Islamic Architecture in the Lands of Rūm, 1240–1330 (Ashgate, 2014) and Architecture and Material Politics in the Fifteenth-century Ottoman Empire (Cambridge University Press, 2022). With Elizabeth Dospel Williams and Eiren Shea, she co-authored Medieval Textiles across Eurasia, c. 300-1400 for the Cambridge Elements series Global Middle Ages (Cambridge University Press, 2023). Blessing’s work has been supported by the ANAMED Research Center for Anatolian Cultures, the Barakat Trust, the British Academy, the Gerda Henkel Foundation, the International Center of Medieval Art, the Samuel H. Kress Foundation, and the Society of Architectural Historians.
Contact: Department of Art and Art History, Stanford University, 355 Roth Way, Stanford, CA 94305
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