Hardcover. During the nineteenth century, Cairo witnessed once of its most dramatic periods of transformation. Well on its way to becoming a modern and cosmopolitan city, by the end of the century, a 'medieval' Cairo had somehow come into being. While many Europeans in the nineteenth century viewed Cairo as a fundamentally dual cityphysically and psychically split between East/West and modern/medievalthe contributors to the provocative collection demonstrate that, in fact, this process of inscription was the result of restoration practices, museology, and tourism initiated by colonial occupiers. The first edited volume to address nineteenth-century Cairo both in terms of its history and the perception of its achievements, this book will be an essential text for courses in architectural and art history dealing with the Islamic world. During the nineteenth century, Cairo witnessed one of its most dramatic periods of transformation. Well on its way to becoming a modern and cosmopolitan city, by the end of the century, a 'medieval' Cairo had somehow come into being. While many Europeans in the nineteenth cent. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Bibliographic Details

Title: Making Cairo Medieval (Hardcover)
Publisher: Bloomsbury Publishing Plc, Lanham, MD
Publication Date: 2005
Language: English
ISBN 10: 0739109154
ISBN 13: 9780739109151
Binding: Hardcover
Condition: new

About this title

Synopsis

During the nineteenth century, Cairo witnessed once of its most dramatic periods of transformation. Well on its way to becoming a modern and cosmopolitan city, by the end of the century, a medieval Cairo had somehow come into being. While many Europeans in the nineteenth century viewed Cairo as a fundamentally dual city—physically and psychically split between East/West and modern/medieval—the contributors to the provocative collection demonstrate that, in fact, this process of inscription was the result of restoration practices, museology, and tourism initiated by colonial occupiers. The first edited volume to address nineteenth-century Cairo both in terms of its history and the perception of its achievements, this book will be an essential text for courses in architectural and art history dealing with the Islamic world.

About the Author

Nezar AlSayyad is chair of the Center for Middle Eastern Studies and professor of architecture and planning at the University of California, Berkeley. Irene A. Bierman is professor of art history at the University of California, Los Angeles. Nasser Rabbat is associate professor of architectural history at MIT.

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