The Magic Lantern: An Autobiography. This item is unavailable.The Magic Lantern: An Autobiography

The noted director spares nothing in an honest look at his life and work that also features his reminiscences about those with whom he has worked, including Chaplin, Garbo, and Olivier

" Bergman' s minute recall is essentially, astonishingly, visual. Description after description stamp out scenes from his films. The man, his memory, his work are one. . . . It is wonderfully liberating to be made privy to the tangible relish in his craft . . . "The Magic Lantern" is no conventional autobiography, more a scalding stream of consciousness from the pen of a licentious puritan." " -- New York Review of Books"

0;Bergman7;s minute recall is essentially, astonishingly, visual. Description after description stamp out scenes from his films. The man, his memory, his work are one. . . . It is wonderfully liberating to be made privy to the tangible relish in his craft . . . "The Magic Lantern" is no conventional autobiography, more a scalding stream of consciousness from the pen of a licentious puritan. . . . He is funny and crisp about several of the Famous and unstrainingly vicious about the dead and dismal critics.1;" 2;New York Review of Books" -- John Osborne "New York Review of Books"

"In its structure, its tone, its intent, Bergman''s book asks to be judged, not as a factual account, however good, but as a work of literature. It succeeds--exactly as he wanted it to: The Magic Lantern is as personal and penetrating as a Bergman film, wry, shadowy, austere--Stanley Kaufman "New Republic "

Bergman s minute recall is essentially, astonishingly, visual. Description after description stamp out scenes from his films. The man, his memory, his work are one. . . . It is wonderfully liberating to be made privy to the tangible relish in his craft . . . The Magic Lantern is no conventional autobiography, more a scalding stream of consciousness from the pen of a licentious puritan. . . . He is funny and crisp about several of the Famous and unstrainingly vicious about the dead and dismal critics. New York Review of Books--John Osborne "New York Review of Books ""

[Bergman] has found a way to show the soul s landscape. . . . Many gripping revelations.
--Woody Allen "New York Times Book Review ""

"[Bergman] has found a way to show the soul's landscape. . . . Many gripping revelations."

--Woody Allen "New York Times Book Review "

"In its structure, its tone, its intent, Bergman's book asks to be judged, not as a factual account, however good, but as a work of literature. It succeeds--exactly as he wanted it to: The Magic Lantern is as personal and penetrating as a Bergman film, wry, shadowy, austere."--Stanley Kauffmann "New Republic "

"Combined with the life-affecting astonishment that his brutal and beautiful films inspire, The Magic Lantern cultivates a sensitivity towards this film-loving, sometimes self-loathing, sometimes faith-avowing Ingmar Bergman."--Kristi McKim "Film International "

"Bergman's minute recall is essentially, astonishingly, visual. Description after description stamp out scenes from his films. The man, his memory, his work are one. . . . It is wonderfully liberating to be made privy to the tangible relish in his craft . . . The Magic Lantern is no conventional autobiography, more a scalding stream of consciousness from the pen of a licentious puritan. . . . He is funny and crisp about several of the Famous and unstrainingly vicious about the dead and dismal critics."--John Osborne "New York Review of Books "