MAKING RENT BED STUY
Harris, Brandon
Sold by Lakeside Books, Benton Harbor, MI, U.S.A.
AbeBooks Seller since 6 April 2017
New - Soft cover
Condition: New
Ships within U.S.A.
Quantity: Over 20 available
Add to basketSold by Lakeside Books, Benton Harbor, MI, U.S.A.
AbeBooks Seller since 6 April 2017
Condition: New
Quantity: Over 20 available
Add to basketBrand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!
Seller Inventory # OTF-S-9780062415646
A young African American millennial filmmaker’s funny, sometimes painful, true-life coming-of-age story of trying to make it in New York City―a chronicle of poverty and wealth, creativity and commerce, struggle and insecurity, and the economic and cultural forces intertwined with "the serious, life-threatening process" of gentrification.
Making Rent in Bed-Stuy explores the history and sociocultural importance of Bedford-Stuyvesant, Brooklyn’s largest historically black community, through the lens of a coming-of-age young American negro artist living at the dawn of an era in which urban class warfare is politely referred to as gentrification. Bookended by accounts of two different breakups, from a roommate and a lover, both who come from the white American elite, the book oscillates between chapters of urban bildungsroman and a historical examination of some of Bed-Stuy’s most salient aesthetic and political legacies.
Filled with personal stories and a vibrant cast of iconoclastic characters― friends and acquaintances such as Spike Lee; Lena Dunham; and Paul MacCleod, who made a living charging $5 for a tour of his extensive Elvis collection―Making Rent in Bed-Stuy poignantly captures what happens when youthful idealism clashes head-on with adult reality.
Melding in-depth reportage and personal narrative that investigates the disappointments and ironies of the Obama era, the book describes Brandon Harris’s radicalization, and the things he lost, and gained, along the way.
Brandon Harris, originally from Cincinnati, Ohio, has worked in the world of American independent film as a critic and programmer, producer and director, screenwriter and educator. His writings about cinema, politics, culture, and the intersections between them have appeared in The New Yorker, The New Republic, Guardian, VICE, Daily Beast, Variety, n+1, New Inquiry, Brooklyn Rail, In These Times, Hammer to Nail, and Filmmaker magazine, where he is a contributing editor.
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