Local Acts: Community-Based Performance in the United States (Rutgers Series: The Public Life of the Arts)
Language: English
Published by Rutgers University Press, 2005
- Softcover
- New
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condition: New
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A survey of community-based performance in the US from its roots, to its flourishing during the 1960s, to present-day popular culture. It provides descriptions of performances and processes, first-person stories, and analysis and shows how ritualism reinforces community identification while aestheticism enables locals to transgress cultural norms. Series: Rutgers Series: The Public Life of the Arts. Num Pages: 232 pages, 16 b&w photographs. BIC Classification: 1KBB; AN; ASZ. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 153 x 15. Weight in Grams: 326. . 2005. Paperback. . . . . Books ship from the US and Ireland.
Seller Inventory # V9780813535500
- Title
- Local Acts: Community-Based Performance in the United States (Rutgers Series: The Public Life of the Arts)
- Author
- Cohen-Cruz, Jan
- Publisher
- Rutgers University Press
- Publication year
- 2005
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0813535506
- ISBN 13
- 9780813535500
An eclectic mix of art, theatre, dance, politics, experimentation, and ritual,community-based performance has become an increasingly popular art movement in the United States. Forged by the collaborative efforts of professional artists and local residents, this unique field brings performance together with a range of political, cultural, and social projects, such as community-organizing, cultural self-representation, and education. Local Acts presents a long-overdue survey of community-based performance from its early roots, through its flourishing during the politically-turbulent 1960s, to present-day popular culture. Drawing on nine case studies, including groups such as the African American Junebug Productions, the Appalachian Roadside Theater, and the Puerto Rican Teatro Pregones, Jan Cohen-Cruz provides detailed descriptions of performances and processes, first-person stories, and analysis. She shows how the ritual side of these endeavors reinforces a sense of community identification while the aesthetic side enables local residents to transgress cultural norms, to question group habits, and to incorporate a level of craft that makes the work accessible to individuals beyond any one community. The book concludes by exploring how community-based performance transcends even national boundaries, connecting the local United States with international theater and cultural movements.
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Kennys Bookstore
Olney, MD, U.S.A.
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