Legacy of the Masters: Painting and Calligraphy from the Islamic World
Language: English
Published by Paul Holberton Publishing, 2019
- Hardcover
- Used

Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
AbeBooks seller since June 7, 2002
Condition: Used - Very good
£ 22.99
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Add to basketItem description from seller
With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.
Seller Inventory # mon0000321602
- Title
- Legacy of the Masters: Painting and Calligraphy from the Islamic World
- Author
- Kwiatskowski, Will
- Publisher
- Paul Holberton Publishing
- Publication year
- 2019
- Condition
- Very Good
- Dust jacket
- Dust Jacket Included
- Binding
- hardcover
- Language
- English
- ISBN 10
- 1911300733
- ISBN 13
- 9781911300731
This publication presents a collection of over sixty paintings, drawings and calligraphic specimens mostly made in the Safavid, Uzbek, Ottoman and Mughal Empires in the period from the 16th through the early 19th century for inclusion in albums (muraqqa‘). The compilation of these albums, involving the collection and ordering of the works to be included as well as the design and execution of decorative borders, was an art form in itself and amounted to a broader cultural phenomenon that has increasingly become the focus of scholarly attention.
This was the age of the master artist, whose work was eagerly sought by collectors, imitated by admirers and forgers, taken as loot by invaders, and exchanged as gifts that had value across political borders. The international currency of a master artist’s work is particularly apparent in the case of the calligrapher Mir ‘Ali of Herat (d. 1544), whose calligraphies were almost obsessively sought out by the Mughal rulers of India and provided a model for subsequent generations of calligraphers in India and Iran.
In Iran, Shah ‘Abbas’ new capital of Isfahan was the breeding ground for a generation of artists specialized in single-page calligraphic compositions, paintings and drawings, often working in distinctive styles. These included calligraphers such as Mir ‘Imad al-Hasani and ‘Ali Riza ‘Abbasi, and painters like Riza ‘Abbasi, Muhammad Qasim and, later, Mu’in Musavvir.
The processes of collection and compilation were complex, as albums were gifted and reassembled to suit the tastes and outlook of new owners. An eloquent example of this ongoing evolution is the famous St. Petersburg Album. Compiled and given decorative borders in Iran in the mid-18th century, the album contains a number of Mughal and Deccani paintings and drawings presumed to have been taken to Iran as plunder by Nadir Shah following the invasion of India in 1739. The end of this tradition is marked in the publication by a number of works from Mughal-style albums of calligraphy and painting acquired by officers and administrators of the British East India Company such as Warren Hastings and William Fraser.
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