Language and Metadrama in Major Barbara and Pygmalion : Shavian Sisters
Language: English
Published by Springer, 2022
- Hardcover
- New
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
AbeBooks seller since August 14, 2006
Condition: New
£ 107.96
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Add to basketItem description from seller
Druck auf Anfrage Neuware - Printed after ordering - This book focuses on two important topics in Shaw's Major Barbara and Pygmalion that have received little attention from critics: language and metadrama. If we look beyond the social, political, and economic issues that Shaw explored in these two plays, we discover that the stories of the two 'Shavian sisters'- Barbara Undershaft and Eliza Doolittle-are deeply concerned with performance and what Jacques Derrida calls 'the problem of language.' Nearly every character in Major Barbara produces, directs, or acts in at least one miniature play. In Pygmalion, Henry Higgins is Eliza's acting coach and phonetics teacher, as well as the star of an impromptu, open-air phonetics show. The language content in these two plays is just as intriguing. Did Eliza Doolittle have to learn Standard English to become a complete human being Should we worry about the bad grammar we hear at Barbara Undershaft's Salvation Army shelter Is English losing its precision and purity Meanwhile, in the background, Shaw keeps reminding us that language and theatre are always present in our everyday lives-sometimes serving as stabilizing forces, and sometimes working to undo them.…
Seller Inventory # 9783030960704
- Title
- Language and Metadrama in Major Barbara and Pygmalion : Shavian Sisters
- Author
- Jean Reynolds
- Publisher
- Springer
- Publication year
- 2022
- Condition
- Neu
- Binding
- Buch
- Language
- English
- ISBN 10
- 3030960706
- ISBN 13
- 9783030960704
- Item weight
- 399 grams
- Dimensions
- 216x153x19 mm
- Series
- Book 18 of 20: Bernard Shaw and His Contemporaries
This book focuses on two important topics in Shaw’s Major Barbara and Pygmalion that have received little attention from critics: language and metadrama. If we look beyond the social, political, and economic issues that Shaw explored in these two plays, we discover that the stories of the two “Shavian sisters”― Barbara Undershaft and Eliza Doolittle―are deeply concerned with performance and what Jacques Derrida calls “the problem of language.” Nearly every character in Major Barbara produces, directs, or acts in at least one miniature play. In Pygmalion, Henry Higgins is Eliza’s acting coach and phonetics teacher, as well as the star of an impromptu, open-air phonetics show. The language content in these two plays is just as intriguing. Did Eliza Doolittle have to learn Standard English to become a complete human being? Should we worry about the bad grammar we hear at Barbara Undershaft’s Salvation Army shelter? Is English losing its precision and purity?Meanwhile, in the background, Shaw keeps reminding us that language and theatre are always present in our everyday lives―sometimes serving as stabilizing forces, and sometimes working to undo them.
"Synopsis" may belong to another edition of this title.
About the Author
Jean Reynolds is Professor Emerita of English at Polk State College, USA. Her previous publications include Shaw and Feminisms (2013), co-edited with D.L. Hadfield, and Pygmalion’s Wordplay: The Postmodern Shaw (1999), as well as multiple articles and reviews for SHAW: The Journal of Shaw Studies, of which she is an editorial board member.
"About the title" may belong to another edition of this title.
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