- Hardcover
- Used

Condition: Used - Good
£ 9.53
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Fast & Free Shipping – Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.
Seller Inventory # ZWV.1400041759.G
- Title
- De Kooning: An American Master
- Author
- Stevens, Mark; Swan, Annalyn
- Publisher
- Knopf
- Publication year
- 2004
- Condition
- good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 1400041759
- ISBN 13
- 9781400041756
The first major biography of de Kooning captures both the life and work of this complex, romantic figure in American culture. Ten years in the making, and based on previously unseen letters and documents as well as on hundreds of interviews, this is a fresh, richly detailed, and masterful portrait. The young de Kooning overcame an unstable, impoverished, and often violent early family life to enter the Academie in Rotterdam, where he learned both classic art and guild techniques. Arriving in New York as a stowaway from Holland in 1926, he underwent a long struggle to become a painter and an American, developing a passionate friendship with his fellow immigrant Arshile Gorky, who was both a mentor and an inspiration. During the Depression, de Kooning emerged as a central figure in the bohemian world of downtown New York, surviving by doing commercial work and painting murals for the WPA. His first show at the Egan Gallery in 1948 was a revelation. Soon, the critics Harold Rosenberg and Thomas Hess were championing his work, and de Kooning took his place as the charismatic leader of the New York schooljust as American art began to dominate the international scene.
Dashingly handsome and treated like a movie star on the streets of downtown New York, de Kooning had a tumultuous marriage to Elaine de Kooning, herself a fascinating character of the period. At the height of his fame, he spent his days painting powerful abstractions and intense, disturbing pictures of the female figureand his nights living on the edge, drinking, womanizing, and talking at the Cedar bar with such friends as Franz Kline and Frank OHara. By the 1960s, exhausted by the feverish art world, he retreated to the Springs on Long Island, where he painted an extraordinary series of lush pastorals. In the 1980s, as he slowly declined into what was almost certainly Alzheimers, he created a vast body of haunting and ethereal late work.
This is an authoritative and brilliant exploration of the art, life, and world of an American master.
"Synopsis" may belong to another edition of this title.
About the Author
Annalyn Swan has been a writer at Time and an award-winning music critic and senior arts editor at Newsweek. She has written for The New Republic, The Atlantic Monthly, and New York magazine. She lives in New York City.
"About the title" may belong to another edition of this title.
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