Kerry James Marshall: Look See. This item is unavailable.
Language: English
Published by David Zwirner Books, London, 2015
- Hardcover
- Used

Unavailable
Hardcover
Condition: Used - Very good
£ 158.41
Item description from seller
Clean, tight copy. Dust Jacket is clean with slight curling front top and bottom and minimal shelf wear. Book produced for Marshall's first exhibit at David Zwirner in London in 2014.
Seller Inventory # 15071
- Title
- Kerry James Marshall: Look See
- Author
- Storr, Robert
- Publisher
- David Zwirner Books, London
- Publication year
- 2015
- Condition
- Very Good
- Dust jacket
- Very Good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 1941701086
- ISBN 13
- 9781941701089
- Seller catalogs
- Books
With a career spanning almost three decades, Kerry James Marshall is well known for his complex and multilayered portrayals of youths, interiors, nudes, housing estate gardens, land- and seascapes, all of which synthesize different traditions and genres while seeking to counter stereotypical representations of black people in society. Working across various mediums, from paintings to comic-style drawings to sculptural installations, photographs, and videos, the artist conflates actual and imagined events from African-American history, integrating a range of stylistic influences to address the limited historiography of black art. Produced on the occasion of Marshall’s first exhibition at David Zwirner in London and designed by JNL Design in Chicago, Look See features beautiful reproductions of every painting on view in the show – all of them brand-new compositions – as well as numerous details and preparatory drawings, installation photographs and new scholarship by Robert Storr and Hamza Walker. As suggested by the show’s title, these portraits use the etymological differences between looking and seeing as their point of departure, featuring subjects whose dissociated stares seem as defiant as they are mystifying. In keeping with his signature approach, Marshall has painted his figures in strikingly opaque black pigments, both fashioning and abstracting their presences in order to assimilate the limitations and contradictions of style, subject, and chronology inherent in art-historical narratives written from a white, Western perspective. Taken all together, the range of materials included in Look See constitutes a vibrant and comprehensive portrait of Marshall’s original and ever-evolving practice.
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