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Title: Keiji Usami Picture Space Author: Keiji Usami Product Condition: Perfect Publication Time: 1981-02 Revision: Soft Cover Publisher: Keiji Usami Executive Committee Pages: 179 Page Size: 29.7 x 22.5 cm 126 Product Description: Contemporary Japanese Painting Collection of art works, Keiji Usami, a famous contemporary Japanese abstract painting artist Monoha artist Keiji Usami One point. This book contains 249 oil paintings and watercolor works by Keiji Usami of each period, comprehensive large-scale abstract paintings, fantasy and creative space paintings and large-scale sketch drawings, a brief calendar of authors after the calligraphy, original Japanese edition. Keiji Usami was born on January 29, 1940 in Suita City, Osaka Prefecture. In 1958, he pursued his own artistic dreams while working at Osaka Honji High School. Five years later, the first other famous exhibition in the South Art Gallery. After this, other art projects are possible. 1965 Participated in a special exhibition at the Museum of Contemporary Art. In 1972 Usami was also selected as the representative of the Japan Pavilion at the Wenis Double Year Exhibition. In addition to being in the art practice, Usamiya is simultaneously inspired by theoretical exploration. This is an important reference book for art students, including a comprehensive painting theory written by a professor at Shiwei University. In 2002, he received the Minister of Education, Culture, Sports, Science and Technology Award. A comprehensive theory, both parts of Usami's creative life are possible. In the early days, many other works were mainly composed of abstract figures and unordered arrangements. Then, in the latter half of the period, a creative single key was created for the character. Suggested by Izumi Suzuki, a Japanese scholar, Usami's late human portrait works can also be subdivided into two stages. In the mid-1960s, before the mid-1960s, Usami-dokoro was interested in human-like drawings. After this, Body is another creative theme. The cause of this change was the 1965 Black Riots (Watts Riots) in South Korea. The black population is occupied in this part of the region, but the territorial police dismiss it as a race of white people. Under the combined influence of factors such as the high unemployment rate, from August 11th to 17th of that year, black people started a series of protest riots. Inspired by the newspaper article published by Usami Jyu Life Magazine, which has a rich interest in this one social incident. In the meantime, other submissions have been taken out, running, leaning forward, squatting, and throwing stones. After this, the combination of these four parts is the major creative theme behind Usami's human body formation. Professor Suzuki also pointed out that Usami was in the post-war Japanese art world and had a certain status as a difficult to return. During the active period of others, the mainstream of the Japanese art sphere is the Mono-ha (Mono-ha). Exploring various different materials vs. the influence of creative activities, and Usami's continued emphasis on the occasional conflict vs. traditional painting morphological reproduction. Behind the contradiction of the two is the basis of a different theory. In the 670s of the 19th century, the leading Japanese art world thought is phenomenology. The artist's proof of conception is, of course, the top of the picture, and it is currently being reconsidered from the beginning. However, we have presented a powerful criticism against the analytical layer of consciousness progressing against the analytic layer of this kind of planning and reality, which is related to the social system. On the other hand, Obi Ari Akira's constructivist color Usami seems to go backwards in the trend of the time, and in fact, there are many opposites. Cause-and-effect structure principle Parallel existence-effect structure progress rationalization. Seller Inventory # 03004900444
Title: Keiji Usami Picture Universe
Publisher: Keiji Usami Executive Committee
Publication Date: 1981
Binding: Soft cover
Condition: Fine
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