Kazimir Malevich: The Climax of Disclosure
Language: English
Published by University of Chicago Press December 1991, 1991
- Hardcover
- Used
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.Hennessey + Ingalls
AbeBooks seller since April 8, 2013
Condition: Used - Very good
£ 23.07
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Add to basketItem description from seller
Kasimir Malevich's (1878-1935) sudden and startling realization of a nonrepresentational way of painting, which he called Suprematism, stands as a seminal moment in twentieth-century art. Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine to his involvement with Futurist circles in Moscow through to the late 1920s and beyond. They convincingly demonstrate that Malevich's late representational painting, still widely misunderstood, solidifies his extraordinarily inventive stance. Against the historical background of distinctly Russian progressive cultural and scientific movements, the authors define affinities between Malevich's work and other nonpolitical revolutions: relativity and quantum theory in physics; the work of Roman Jakobson and the 'Prague School' in linguistics; and the exploration of language in the writings of the poet Velimir Khlebnikov. They situate the artist within the fundamental epistemological shift from nineteenth-century objectivity to an all-pervasive modernist subjectivity, relying upon Malevich's contribution to illustrate the ways cultural production is mediated through various modes of transmission. Rainer Crone holds the Chair for Twentieth Century Art at Ludwig-Maximilians-Universitä t, Munich, and is adjunct professor of art history at Columbia University. David Moos is a doctoral candidate in art history at Columbia University. Very nice clean, tight copy free of any marks.…
Seller Inventory # 210764
- Title
- Kazimir Malevich: The Climax of Disclosure
- Author
- Rainer Crone, David Moos,
- Publisher
- University of Chicago Press December 1991
- Publication year
- 1991
- Condition
- Used - Very Good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0226120937
- ISBN 13
- 9780226120935
- Seller catalogs
- Art - Artists, A-Z
realization of a nonrepresentational way of painting, which
he called Suprematism, stands as a seminal moment in
twentieth-century art. Rainer Crone and David Moos trace the
artist's development from his beginnings in the Ukraine to
his involvement with Futurist circles in Moscow through to
the late 1920s and beyond. They convincingly demonstrate
that Malevich's late representational painting, still widely
misunderstood, solidifies his extraordinarily inventive
stance.
Against the historical background of distinctly Russian
progressive cultural and scientific movements, the authors
define affinities between Malevich's work and other
nonpolitical revolutions: relativity and quantum theory in
physics; the work of Roman Jakobson and the "Prague School"
in linguistics; and the exploration of language in the
writings of the poet Velimir Khlebnikov. They situate the
artist within the fundamental epistemological shift from
nineteenth-century objectivity to an all-pervasive modernist
subjectivity, relying upon Malevich's contribution to
illustrate the ways cultural production is mediated through
various modes of transmission.
Rainer Crone holds the Chair for Twentieth Century Art
at Ludwig-Maximilians-Universitä ;t, Munich, and is adjunct
professor of art history at Columbia University. David
Moos is a doctoral candidate in art history at Columbia
University.
"Synopsis" may belong to another edition of this title.
About the Author
"About the title" may belong to another edition of this title.
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