KATI HECK HAURUCK
Language: Multiple languages
Published by HANNIBAL, 2020
- Hardcover
- Used





Seller: Blue Fog Books, Arlington Heights, IL, U.S.A.Blue Fog Books
AbeBooks seller since October 15, 2024
Condition: Used - Near fine
£ 77.09
Quantity: 1 available
Add to basketItem description from seller
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Seller Inventory # ABE-1793055542915
- Title
- KATI HECK HAURUCK
- Author
- HECK KATI
- Publisher
- HANNIBAL
- Publication year
- 2020
- Condition
- Near fine
- Binding
- Hardcover
- Language
- Multiple languages
- ISBN 10
- 9463887458
- ISBN 13
- 9789463887458
- Dimensions
- 24.5x29 CENTIMETERS
Het hoogst originele universum van kunstenares Kati Heck
“As we grow older, we filter out of our perception the details that we have been conditioned to believe are unimportant. It takes an exceptionally talented painter to pierce that veil and capture the essential richness and strangeness of the world. This, it seems to me, is Kati Heck’s gift.”
― Ben Eastham, editor-in-chief of art-agenda
In de loop der jaren heeft Kati Heck (°1979) een zeer persoonlijke visie op het alledaagse ontwikkeld. Haar werken lijken fictieve projecties uit haar eigen universum, en ze gebruikt de diversiteit die inherent is aan schilderen als een middel om verbinding te maken met het potentieel van de verbeelding. Heck staat vooral bekend als schilder maar drukt zich ook uit in andere media zoals fotografie, beeldhouwkunst en performances. Haar kleurrijke oeuvre wordt steevast gekarakteriseerd door ironie, drama en een hoogst origineel gevoel voor het groteske.
In Hauruck, dat gepubliceerd wordt naar aanleiding van Hecks soloshow in Kunstmuseum Den Haag (van 6 juni tot 8 november 2020), vindt u zo’n 75 werken die gemaakt werden tussen 2013 en 2020, naast een speciaal voor dit boek gemaakt beeldverhaal.
Met een tekstbijdrage van Ben Eastham, hoofdredacteur van art-agenda.
“If we say painting is a language, then Kati Heck speaks it in all dialects. The twentieth century saw painting analysed and deconstructed until we declared it dead. In her intuitive manner, Kati Heck revives and reconstructs painting into a new form, entirely her own, to create a universe that captivates us. Don’t let her fool you. Kati Heck may appear to be lounging with a cat on her lap, but, as always, in the back of her mind, she is patiently plotting the moment when women, for the benefit of the world, take it over. She is the motherly embodiment of nature vs. nurture. She’ll roast you a chicken, invite you for dinner, and sit across from you with that particular smile of hers, examining the way your teeth come together while you chew. She will join you while you drink yourself under the table and then hold a magnifying glass to the dribble coming off your chin. Heck keeps us on our toes. Her paintings, like her presence, hold us accountable for existing.”
― Makeal Flammini, artist
“Dit werk wordt gekarakteriseerd door een absurdistische kijk op de wereld en de kunst. Maak kennis met haar grote, figuratieve schilderijen en treed binnen in de wondere wereld van Kati Heck.”
― Benno Tempel, directeur Kunstmuseum Den Haag
"Synopsis" may belong to another edition of this title.
From the Back Cover
Het hoogst originele universum van kunstenares Kati Heck
“As we grow older, we filter out of our perception the details that we have been conditioned to believe are unimportant. It takes an exceptionally talented painter to pierce that veil and capture the essential richness and strangeness of the world. This, it seems to me, is Kati Heck’s gift.”
― Ben Eastham, editor-in-chief of art-agenda
In de loop der jaren heeft Kati Heck (°1979) een zeer persoonlijke visie op het alledaagse ontwikkeld. Haar werken lijken fictieve projecties uit haar eigen universum, en ze gebruikt de diversiteit die inherent is aan schilderen als een middel om verbinding te maken met het potentieel van de verbeelding. Heck staat vooral bekend als schilder maar drukt zich ook uit in andere media zoals fotografie, beeldhouwkunst en performances. Haar kleurrijke oeuvre wordt steevast gekarakteriseerd door ironie, drama en een hoogst origineel gevoel voor het groteske.
In Hauruck, dat gepubliceerd wordt naar aanleiding van Hecks soloshow in Kunstmuseum Den Haag (van 6 juni tot 8 november 2020), vindt u zo’n 75 werken die gemaakt werden tussen 2013 en 2020, naast een speciaal voor dit boek gemaakt beeldverhaal.
Met een tekstbijdrage van Ben Eastham, hoofdredacteur van art-agenda.
“If we say painting is a language, then Kati Heck speaks it in all dialects. The twentieth century saw painting analysed and deconstructed until we declared it dead. In her intuitive manner, Kati Heck revives and reconstructs painting into a new form, entirely her own, to create a universe that captivates us. Don’t let her fool you. Kati Heck may appear to be lounging with a cat on her lap, but, as always, in the back of her mind, she is patiently plotting the moment when women, for the benefit of the world, take it over. She is the motherly embodiment of nature vs. nurture. She’ll roast you a chicken, invite you for dinner, and sit across from you with that particular smile of hers, examining the way your teeth come together while you chew. She will join you while you drink yourself under the table and then hold a magnifying glass to the dribble coming off your chin. Heck keeps us on our toes. Her paintings, like her presence, hold us accountable for existing.”
― Makeal Flammini, artist
“Dit werk wordt gekarakteriseerd door een absurdistische kijk op de wereld en de kunst. Maak kennis met haar grote, figuratieve schilderijen en treed binnen in de wondere wereld van Kati Heck.”
― Benno Tempel, directeur Kunstmuseum Den Haag
"About the title" may belong to another edition of this title.
Blue Fog Books
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AbeBooks seller since October 15, 2024
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