Jean-Luc Godard (French Film Directors MUP)

Morrey, Douglas

Published by Manchester University Press
ISBN 10: 0719067596 / ISBN 13: 9780719067594
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Synopsis: This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard's career, from the French New Wave to the recent triumphs of Histoire(s) du cinéma and Eloge de l'amour.

Drawing on a wide range of literary, filmic and philiosophical texts, the book places Godard's work within its intellectual context, examining how developments in French culture and thought since 1950 have been mirrored in - and sometimes anticipated by - Godard's films.

Numerous sequences from Godard's films are singled out for close analysis, demonstrating how the director's radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right.

The book will be essential to all students of Godard's films, and of interest to scholars of modern and contemporary French cinema, culture and thought.

About the Author:
Douglas Morrey is Lecturer in French at the University of Newcastle-upon-Tyne

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Bibliographic Details

Title: Jean-Luc Godard (French Film Directors MUP)
Publisher: Manchester University Press

Binding: PAPERBACK
Book Condition: New

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Book Description MANCHESTER UNIVERSITY PRESS, United Kingdom, 2005. Paperback. Book Condition: New. 212 x 138 mm. Language: English . Brand New Book. This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard s career, from the French New Wave to the recent triumphs of Histoire(s) du cinema and Eloge de l amour. Drawing on a wide range of literary, filmic and philiosophical texts, the book places Godard s work within its intellectual context, examining how developments in French culture and thought since 1950 have been mirrored in - and sometimes anticipated by - Godard s films. Numerous sequences from Godard s films are singled out for close analysis, demonstrating how the director s radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right. The book will be essential to all students of Godard s films, and of interest to scholars of modern and contemporary French cinema, culture and thought. Bookseller Inventory # POW9780719067594

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Book Description MANCHESTER UNIVERSITY PRESS, United Kingdom, 2005. Paperback. Book Condition: New. 212 x 138 mm. Language: English . Brand New Book. This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard s career, from the French New Wave to the recent triumphs of Histoire(s) du cinema and Eloge de l amour. Drawing on a wide range of literary, filmic and philiosophical texts, the book places Godard s work within its intellectual context, examining how developments in French culture and thought since 1950 have been mirrored in - and sometimes anticipated by - Godard s films. Numerous sequences from Godard s films are singled out for close analysis, demonstrating how the director s radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right. The book will be essential to all students of Godard s films, and of interest to scholars of modern and contemporary French cinema, culture and thought. Bookseller Inventory # POW9780719067594

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Book Description Manchester University Press. Paperback. Book Condition: new. BRAND NEW, Jean-Luc Godard, Douglas Morrey, This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard's career, from the French New Wave to the recent triumphs of Histoire(s) du cinema and Eloge de l'amour. Drawing on a wide range of literary, filmic and philiosophical texts, the book places Godard's work within its intellectual context, examining how developments in French culture and thought since 1950 have been mirrored in - and sometimes anticipated by - Godard's films. Numerous sequences from Godard's films are singled out for close analysis, demonstrating how the director's radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right. The book will be essential to all students of Godard's films, and of interest to scholars of modern and contemporary French cinema, culture and thought. Bookseller Inventory # B9780719067594

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