Jason Rhoades: PeaRoeFoam
Language: English
Published by David Zwirner Books, 2016
- Hardcover
- New
Seller: Palimpsest Scholarly Books & Services, Brooktondale, NY, U.S.A.Palimpsest Scholarly Books & Services
AbeBooks seller since August 3, 2017
Condition: New
£ 31.03
Quantity: 1 available
Add to basketItem description from seller
Large-format hardcover volume, measuring approximately 9" x 12.75", is, together with dust jacket, new, still in shrinkwrap. 112 pages. "Up to his untimely death in 2006 at age 41, Jason Rhoades carried out a continuous assault on aesthetic conventions and the rules governing the art world—wryly subverting those very conditions by using them as materials for his work. In 2002, Rhoades introduced the world to his "PeaRoeFoam," a “brand new product and revolutionary new material” created from whole green peas, fish-bait style salmon eggs, and white virgin-beaded foam. When combined with non-toxic glue, they transform into a versatile, fast-drying, and ultimately hard material that he intended for both utilitarian as well as artistic uses—his detailed step-by-step instructions accompanied do-it-yourself kits complete with everything needed to make "PeaRoeFoam." Rhoades debuted his "PeaRoeFoam" project at David Zwirner in 2002 (then located on Greene Street in SoHo) in the first of a trilogy of exhibitions that also brought it to Vienna and Liverpool the same year. Following the original “PeaRoeFormance” at the gallery, the artist moved the equipment to the Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK) in Vienna, where he added a makeshift karaoke studio, and then to the Liverpool Biennial, where he continued the production inside a giant, inflatable pool the shape and color of a human liver. "PeaRoeFoam" continued to be appropriated for subsequent works, but the majority of the leftovers and objects from all three “PeaRoeFormances” found a new place in Rhoades’s studio. Arranged on shelves covering the full length of a large wall, they remained on the location until after the artist’s death. The entirety of the installation, never previously shown, was exhibited as part of the comprehensive presentation of the "PeaRoeFoam" project at David Zwirner in New York in 2014. This seminal publication is the first to properly examine and situate "PeaRoeFoam" within Rhoades’s career and to acknowledge its importance within the overall framework of his practice. The 2014 exhibition at David Zwirner presented many of the individual components for the first time since their original installations, and this book discusses and reproduces those initial presentations in depth. Also included is an abundance of archival documents and photographs, installation views of all 2002 shows, as well as the artist’s diagrams and drawings. The publication also features a personal and revealing essay by David Zwirner, who began showing Rhoades’s work in the early 1990s, new scholarship by Julien Bismuth, and selected interviews from the Jason Rhoades Oral History project, conceived by Dylan Kenny and Lucas Zwirner, who have interviewed over fifty artists, curators, friends, collaborators, art historians, and others who intimately knew the artist—including curator and art historian Linda Norden.".…
Seller Inventory # ABE-1784607741356
- Title
- Jason Rhoades: PeaRoeFoam
- Author
- Jason Rhoades et al.
- Publisher
- David Zwirner Books
- Publication year
- 2016
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 1941701078
- ISBN 13
- 9781941701072
- Item weight
- 998 grams
- Dimensions
- 23 centimeters width by 32 centimeters height by 2 centimeters depth
In 2002, Rhoades introduced the world to his PeaRoeFoam, a “brand new product and revolutionary new material” created from whole green peas, fish-bait style salmon eggs, and white virgin-beaded foam. When combined with non-toxic glue, they transform into a versatile, fast-drying, and ultimately hard material that he intended for both utilitarian as well as artistic uses―his detailed step-by-step instructions accompanied do-it-yourself kits complete with everything needed to make PeaRoeFoam.
Rhoades debuted his PeaRoeFoam project at David Zwirner in 2002 (then located on Greene Street in SoHo) in the first of a trilogy of exhibitions that also brought it to Vienna and Liverpool the same year. Following the original “PeaRoeFormance” at the gallery, the artist moved the equipment to the Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK) in Vienna, where he added a makeshift karaoke studio, and then to the Liverpool Biennial, where he continued the production inside a giant, inflatable pool the shape and color of a human liver. PeaRoeFoam continued to be appropriated for subsequent works, but the majority of the leftovers and objects from all three “PeaRoeFormances” found a new place in Rhoades’s studio. Arranged on shelves covering the full length of a large wall, they remained on the location until after the artist’s death. The entirety of the installation, never previously shown, was exhibited as part of the comprehensive presentation of the PeaRoeFoam project at David Zwirner in New York in 2014.
This seminal publication is the first to properly examine and situate PeaRoeFoam within Rhoades’s career and to acknowledge its importance within the overall framework of his practice. The 2014 exhibition at David Zwirner presented many of the individual components for the first time since their original installations, and this book discusses and reproduces those initial presentations in depth. Also included is an abundance of archival documents and photographs, installation views of all 2002 shows, as well as the artist’s diagrams and drawings. The publication also features a personal and revealing essay by David Zwirner, who began showing Rhoades’s work in the early 1990s, new scholarship by Julien Bismuth, and selected interviews from the Jason Rhoades Oral History project, conceived by Dylan Kenny and Lucas Zwirner, who have interviewed over fifty artists, curators, friends, collaborators, art historians, and others who intimately knew the artist―including curator and art historian Linda Norden.
"Synopsis" may belong to another edition of this title.
About the Author
Julien Bismuth is an artist and writer currently based in New York. He has published a number of texts, including a series of publications with Devonian Press, which he co-founded with the artist Jean-Pascal Flavien in 2005, as well as an essay for the catalogue Toba Khedoori, published on the occasion of her solo exhibition at David Zwirner in 2012.
David Zwirner opened his eponymous gallery in the SoHo neighborhood of New York in 1993. With locations currently in New York, London, Paris, and Hong Kong, the gallery represents around fifty artists and estates.
Lucas Zwirner is Head of Content at David Zwirner. He is known for creating the ekphrasis series, dedicated to publishing short texts on visual culture by artists and writers, rarely available in English. He has also written on numerous contemporary artists and translated books from German and French.
Dylan Kenny is a writer and researcher. He is currently a Paul Mellon Fellow at Cambridge University.
Linda Norden is an independent curator, writer, and art historian. Norden&;s writing has covered an extensive range of artists and critics, including Richard Artschwager, Robert Gober, Eva Hesse, Roni Horn, Pierre Huyghe, Lucy Lippard, Sharon Lockhart, Claes Oldenburg, Robert Ryman, and Cy Twombly.
"About the title" may belong to another edition of this title.
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