Italian Cinema: Arthouse to Exploitation (Pocket Essentials)
Language: English
Published by Pocket Essentials, Harpenden, U.K., 2006
- Softcover
- Used
Seller: PsychoBabel & Skoob Books, Didcot, United KingdomPsychoBabel & Skoob Books
AbeBooks seller since October 6, 2003
Condition: Used - Good
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Add to basketItem description from seller
Paperback. Covers and spine are lightly scored and edge worn. Creases on rear leading edge and front spine side. Closed tear on spine. Pages are clean and text is clear throughout. Binding is sound. HJW.
Seller Inventory # 427797
- Title
- Italian Cinema: Arthouse to Exploitation (Pocket Essentials)
- Author
- Forshaw, Barry
- Publisher
- Pocket Essentials, Harpenden, U.K.
- Publication year
- 2006
- Condition
- Good
- Book Type
- Used
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1904048552
- ISBN 13
- 9781904048558
- Seller catalogs
- Performing Arts/Film
From the unbridled sensuality of the orgy scenes in silent Italian cinema, through a topless Sophia Loren in a 1950s historical epic and the image of Silvana Mangano, her skirt provocatively tucked into her underwear, in the neo-realist classic Bitter Rice, to the erotic obsessions of Fellini and the more cerebral but still passion-centred movies of Antonioni, eroticism is ever-present in Italian cinema. And then there are the popular movies: the acres of tanned flesh (both male and female) on offer in the many sword and sandal epics of the peplum era through to the inextricable mix of sexuality and violence in the gialli of such directors as Mario Bava and Dario Argento, in which death and sex meet in a blood-drenched, orgasmic coda.
Of course, there's far more to Italian cinema: it is one of the most glorious and energetic celebrations of the medium that any nation has ever offered. For many years, this astonishing legacy was largely unseen, but the DVD revolution is making virtually everything available, from Steve Reeves' muscle epics to long-unseen Italian art house movies.
The one characteristic that most of the great (and not so great) Italian movies have in common is the sheer individualism of the directors. And this applies to the populist moviemakers as much as to the giants of serious cinema. While Fellini, Visconti and Antonioni have rightly assumed their places in the pantheon, so have such talented popular auteurs as Sergio Leone, who was doing something with the Western that no American director would dare do, so radical was the rethink.
All the glory of Italian cinema is celebrated here in comprehensive essays, along with every key film in an easy-to-use reference format.
"Synopsis" may belong to another edition of this title.
About the Author
Barry Forshaw is one of the UK's leading experts on crime fiction and film. Books include Crime Fiction: A Reader's Guide, Nordic Noir, Italian Cinema, American Noir and British Crime Film. Other work: Sex and Film, British Gothic Cinema, Euro Noir, Historical Noir, BFI War of the Worlds and the Keating Award-winners British Crime Writing Encyclopedia and Brit Noir. He writes for various newspapers, contributes Blu-ray extras, broadcasts, chairs events and edits Crime Time. crimetime.co.uk
"About the title" may belong to another edition of this title.
PsychoBabel & Skoob Books
Didcot, United Kingdom
AbeBooks seller since October 6, 2003
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