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Irish Musical Analysis: Irish Musical Studies 11

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ISBN 10: 1846823684 / ISBN 13: 9781846823688
Published by Four Courts Press
New Condition: New Hardcover
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2014. Hardcover. . . . . . Books ship from the US and Ireland. Bookseller Inventory # V9781846823688

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Title: Irish Musical Analysis: Irish Musical ...

Publisher: Four Courts Press

Binding: Hardcover

Book Condition:New

About this title

Synopsis:

The extraordinary rise of musicology in Ireland over the last 20 years has generated an increased interest in the sister discipline of music theory and analysis. Irish Musical Analysis highlights this development and presents a substantial cross-section of the current state of the discipline in two main parts. Part I of the book offers analytical perspectives on compositional techniques used by Irish composers, including Kevin Volans, Roger Doyle, A.J. Potter, John Kinsella, Eric Sweeney, and Gerald Barry. Part II engages more broadly with mainstream theoretical and analytical topics and embraces a wide range of works, genres, and approaches, including repertoire from the early 19th to the later 20th century (Schubert, Chopin, Brahms, Bruckner, Nielsen, Sibelius), as well as theoretical perspectives from Schenkerian theory and sonata theory to post-tonal voice leading and serialism. (Series: Irish Musical Studies - Vol. 11)

Product Description:

The extraordinary rise of musicology in Ireland over the last twenty years has generated an increased interest in the sister discipline of music theory and analysis. This volume highlights this development and presents a substantial cross-section of the current state of the discipline in two main parts: Part I offers analytical perspectives on compositional techniques used by Irish composers including Kevin Volans, Roger Doyle, A.J. Potter, John Kinsella, Eric Sweeney and Gerald Barry; Part II engages more broadly with mainstream theoretical and analytical topics and embraces a wide range of works, genres and approaches, including repertoire from the early 19th to the later 20th century (Schubert, Chopin, Brahms, Bruckner, Nielsen, Sibelius, Eisler, Gerhard), and theoretical perspectives from Schenkerian theory and sonata theory to post-tonal voice leading and serialism.

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