Iraq + 100 poses a question to ten Iraqi writers: what might your country look like in the year 2103 a century after the disastrous American- and British-led invasion, and 87 years down the line from its current, nightmarish battle for survival? How might the effects of that one intervention reach across a century of repercussions, and shape the lives of ordinary Iraqi citizens, or influence its economy, culture, or politics? Might Iraq have finally escaped the cycle of invasion and violence triggered by 2003 and, if so, what would a new, free Iraq look like?

Covering a range of approaches from science fiction, to allegory, to magic realism these stories use the blank canvas of the future to explore the nation s hopes and fears in equal measure. Along the way a new aesthetic for the Iraqi fantastical begins to emerge: thus we meet time-travelling angels, technophobic dictators, talking statues, macabre museum-worlds, even hovering tiger-droids, and all the time buoyed by a dark, inventive humour that, in itself, offers hope.

One of The Guardian's Best SF and Fantasy Books of the Year 2016

One of Tor.com's Reviewers' Choice: Best Books of 2016 - '...the ways in which certain writers turn aggression, invasion, and resistance on their heads will leave you questioning some of your core assumptions about the world beyond our borders.'

One of World Literature Today's 75 Notable Translations of 2016

One of Barnes&Noble's Best Science Fiction & Fantasy Collections and Anthologies of 2016 - 'One of the year s most important speculative anthologies is also a venue for voices that most Westerners have likely never encountered before.'

About the Author

Hassan Blasim was born in Baghdad in 1973, where he studied at the city's Academy of Cinematic Arts. In 1998, he was advised to leave Baghdad, as his documentary critiques of life under Saddam had put him at risk. He fled to Sulaymaniya (Iraqi Kurdistan), where he continued to make films, including the feature-length drama Wounded Camera, under the Kurdish pseudonym Ouazad Osman . In 2004, after years of travelling illegally through Europe as a refugee, he finally settled in Finland. His first story to appear in print was for Comma s anthology Madinah (2008), edited by Joumana Haddad, which was followed by two commissioned collections, The Madman of Freedom Square (2009) and The Iraqi Christ (2013) all translated into English by Jonathan Wright. The latter collection won the 2014 Independent Foreign Fiction Prize, and Hassan's stories have now been published in over 20 languages.

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