Introduction to Post-Tonal Theory by Joseph N. Straus, 2nd Ed (2000) HC

Straus, Joseph N.

ISBN 10: 0130143316 ISBN 13: 9780130143310

Published by Pearson College Div, 2000

Language: English

Condition: Used - Very good Hardcover

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Very good condition. Text looks free of notations/underlining. Tight spine.

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Bibliographic Details

Title

Introduction to Post-Tonal Theory by Joseph N. Straus, 2nd Ed (2000) HC

Publisher

Pearson College Div

Publication Date

2000

Language

English

ISBN 10

0130143316

ISBN 13

9780130143310

Binding

hardcover

Edition

2nd Edition

Condition

Very Good

Weight

18 ounces

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About this title

Synopsis

For undergraduate/graduate-level courses in Twentieth-Century Techniques and Post-Tonal Theory and Analysis taken by music majors.

A primer―rather than a survey―this text offers exceptionally clear, simple explanations of basic theoretical concepts for the post-tonal music of the twentieth century. Emphasizing hands-on contact with the music―through playing, singing, listening, and analyzing―it provides six chapters on theory, each illustrated with musical examples and fully worked-out analyses, all drawn largely from the “classical” pre-war repertoire by Schoenberg, Stravinsky, Bartok, Berg, and Webern.

From the Back Cover

Designed for a course in twenty-first-century techniques and analysis, this text offers a clear, comprehensive introduction to the basic concepts of post-tonal theory. Each concept is clearly explained and richly illustrated with examples from the musical literature. The text contains model analyses as well as carefully graduated exercises that involve playing, singing, composing, and analyzing.

The third edition stays abreast of recent theoretical developments by including discussions of transformational networks and graphs, contour theory, atonal voice leading, triadic post-tonality (including neotonality), inversional symmetry, and interval cycles. As a result, this text is not only a primer of basic concepts but also an introduction to the current state of post-tonal theory, with its rich array of theoretical concepts and analytical tools.

The third edition also features a wide range of composers and musical styles. Although the "classical" prewar repertoire of music by Schoenberg, Stravinsky, Bartok, Webern, and Berg still comprises the musical core, theoretical concepts are now also illustrated with music by Adams, Babbitt, Berio, Boulez, Britten, Cage, Carter, Cowell, Crawford, Crumb, Debussy, Feldman, Glass, Gubaidulina, Ives, Ligeti, Messiaen, Musgrave, Reich, Ruggles, Sessions, Shostakovich, Stockhausen, Varese, Wolpe, Wuorinen, and Zwillich.

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