Sold by Athena Rare Books ABAA, Fairfield, CT, U.S.A.
Association Member:
AbeBooks Seller since 24 January 2003
Seller rating 3 out of 5 stars
Part I: TP + "Edited by Mary Foote" page + [1]-283; Part II: TP + "Edited by Mary Foote" page + [1]-275; Part 3: TP + "Edited by Mary Foote" page + [1]-201; Part 3: TP + "Edited by Mary Foote" page + [1]-201; Part 4: TP + "Edited by Mary Foote" page + [1]-163 +[1]-5 = Index of Dreams & Visions; Part 5: TP + "Edited by Mary Foote" page + Restricted Usage page + [1]-249; Part 6: TP + "Edited by Mary Foote" page + Restricted Usage page + [1]-230; Part 7: TP + "Edited by Mary Foote" page + Restricted Usage page + [1]-133; Part 8: TP + "Edited by Mary Foote" page + Restricted Usage page + [1]-159; Part 9: TP + "Edited by Mary Foote" page + Restricted Usage page + [1]-178; Part 10: TP + "Edited by Mary Foote" page + Restricted Usage page + [1]-227; Part 11: TP + "Edited by Mary Foote" page + Restricted Usage page + [1]-190; Part 12: 29 loose pages with a hand-numbered photostatic illustration on each page. 8½" x 10¾ " Note that the covers on Parts 9-11 are sized 11" rather than closely trimmed to 10¾" as are the first 8 volumes. The loose sheets Part 12 are 7" x 9¾". First Edition Multigraph Copies.In her Introduction to the 1997 edition of these seminars (published by Princeton University Press), the editor, Claire Douglas notes that:The seminar contains some of Jung's most psychologically revealing work. The effect of Jung's manner on the subject under discussion, as well as on his listeners then and readers now, makes this seminar one of the most problematical and interesting segment of Jung's work. [DUE TO ABE SPACE LIMITATIONS, THIS IS A MUCH REDUCED VERSION OF THIS DESCRIPTION. A COMPLETE DESCRIPTION IS AVAILABLE UPON REQUEST.]This unedited original text is accessible ONLY in this first edition printing. PROVENANCE:Part I& VIII have the name of "Eleanor Bertine" neatly written in ink in the top right corner of the front free end paper. Eleanor Bertine was, of course, one of the "first generation of Jungian analysts" and one of the three central figures in bringing Jung's theories to the United States - working in close and constant partnership with both Kristine Mann and Esther Harding; a group that William McGuire refers to as the "New York troika" (Analytic Psychology, Princeton University Press, 1989, p. viii). Bertine was a classmate of Mann at Cornell where they both earned their medical degrees in 1913. During the 1920s, they began analysis with Jung in Switzerland and in 1924 they decided to join Harding in establishing an analytic practice in the United States. She was a faithful and regular participant in Jung's seminars.ILLUSTRATIONS:Part 12 is nothing more than a set of covers acting as a folder holding the twenty-nine illustrations. The first twenty-one of these are photostatic prints pasted onto heavy paper and loosely inserted in the folder. The final eight illustrations are provided in color facsimiles. Each illustration has a number from 1 to 29 hand-lettered in ink beneath it. The first twenty-four illustrations were mounted on heavy tan paper while the remaining five were are pasted onto heavy grey paper. Part I to 11:Each of the eleven volumes is an original Multigraph copy with the single-sided text bound using three large staples. The covers are marbled blue boards with blue canvas tape on the spine. Each volume has identifying I A 30" to "V XI W 34". The "V" indicated Volume, the "A" and "W" being abbreviations for "Autumn" and "Winter" and the number indicating the year. The covers show just a bit of wear but nothing truly worth remarking. There is a small typed piece of paper pasted to the inside front cover of the first four volumes reading: "This report is strictly for the use of members of the Seminar, with the understanding that it is not to be circulated." In the remaining volumes this information is printed on the "Restricted Usage page" as noted in the collation at the top. Part 12:A 'folder-like' affair using the cover and spine materials that were used in all the other volumes. The two halves o.
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