An Integral Analysis of Martin Scorsese s 'Taxi Driver'
Language: English
Published by GRIN Verlag, GRIN Verlag Feb 2012, 2012
- Softcover
- New
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This item is printed on demand - Print on Demand Titel. Neuware -Seminar paper from the year 2006 in the subject English Language and Literature Studies - Comparative Literature, grade: 1,5, University of Trier, course: The Films of Martin Scorsese, language: English, abstract: IntroductionStarting point for my term paper was the question of how to approach such a complex work of art, since I had no previous experience or theoretical knowledge in the analysis of films. It quickly dawned on me that a literal analysis of the film¿s plot and its characters under particular consideration of the author¿s intention, that I was used to in the field of literary studies, would be dysfunctional, since there were too many creative sources involved in the genesis of a film. To further complicate matters, I became in my search for appropriate secondary literature quickly acquainted with some post-modern scholars such as Robin Wood, who sees Paul Schrader as a¿neo-fascist¿, ¿whose films amount to a systematicrepudiation of all minority groups and any possible social alternative, in order to re-assert a quasi-mystical sense of male supremacy, heterosexual superiority, and a total spurious 'transcendence'. [.] the film's interest is inseparable from its sense of confusion, its failure to define a coherent attitude towards its protagonist.¿ (Wood)Since I was convinced that there was more to Taxi Driver than its ¿sense of confusion¿ and, that a coherent, clear analysis was possible, though coming to a definite conclusion might not be possible due to its character¿s ambivalence, I intended my term paper to be a step out of this academic mingling of terms by the use of an integral approach. I use the word integral in a Wilberian sense, which is ¿to include as many perspectives, styles, and methodologies as possible within a coherent view of [a] topic¿. (¿integral thought¿ -Wikipedia) Part one of my paper is generally a brief summary of the main underlying motives that I identified in the secondary literature on Taxi Driver. These motives are: Travis Bickle¿s ambivalence, the creative tension between Paul Schrader and Martin Scorsese, cinematic and literary influences on Taxi Driver as well as Taxi Driver¿s influences. Part two comprises a look at Taxi Driver from three fundamental perspectives ¿ the psychological, the social and the cultural- and is introduced by the question ¿How to approach Taxi Driver ¿, which is basicallya reflection on my original dilemma.Books on Demand GmbH, Überseering 33, 22297 Hamburg 24 pp. Englisch.…
Seller Inventory # 9783656130680
- Title
- An Integral Analysis of Martin Scorsese s 'Taxi Driver'
- Author
- Daniel Roth
- Publisher
- GRIN Verlag, GRIN Verlag Feb 2012
- Publication year
- 2012
- Condition
- Neu
- Binding
- Taschenbuch
- Language
- English
- ISBN 10
- 365613068X
- ISBN 13
- 9783656130680
- Item weight
- 51 grams
- Dimensions
- 210x148x3 mm
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buchversandmimpf2000
Emtmannsberg, BAYE, Germany
AbeBooks seller since January 23, 2017
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