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Popular music compels, it entertains, and it has the power to attract and move audiences. With that in mind, the editors of Indigenous Pop showcase the contributions of American Indian musicians to popular forms of music, including jazz, blues, country-western, rock and roll, reggae, punk, and hip hop.
From Joe Shunatona and the United States Indian Reservation Orchestra to Jim Pepper, from Buffy Saint-Marie to Robbie Robertson, from Joy Harjo to Lila Downs, Indigenous Pop vividly addresses the importance of Native musicians and popular musical genres, establishing their origins and discussing what they represent.
Arranged both chronologically and according to popular generic forms, the book gives Indigenous pop a broad new meaning. In addition to examining the transitive influences of popular music on Indigenous expressive forms, the contributors also show ways that various genres have been shaped by what some have called the ""Red Roots"" of American-originated musical styles. This recognition of mutual influence extends into the ways of understanding how music provides methodologies for living and survival.
Each in-depth essay in the volume zeros in on a single genre and in so doing exposes the extraordinary whole of Native music. This book showcases the range of musical genres to which Native musicians have contributed and the unique ways in which their engagement advances the struggle for justice and continues age-old traditions of creative expression.
About the Author:
Jeff Berglund is a professor of English at Northern Arizona University, USA. He is the author of Cannibal Fictions: American Explorations of Colonialism, Race, Gender, and Sexuality and co-editor of Sherman Alexie: A Collection of Critical Essays.
Jan Johnson is a clinical assistant professor of English and American Indian Studies at the University of Idaho, USA. Her work appears in The Environmental Justice Reader, Sherman Alexie: A Collection of Critical Essays, and American Indian Performing Arts: Critical Directions.
Kimberli Lee is an associate professor of English at Northeastern State University in Tahlequah, Oklahoma. She is the author of “I Do Not Apologize for the Length of This Letter”: The Mari Sandoz Letters on Native American Rights, 1940–1965.
Title: Indigenous Pop: Native American Music from ...
Publisher: University of Arizona Press
Publication Date: 2016
Binding: Soft cover
Condition: good
Edition: 2nd Edition
Seller: Zoom Books East, Glendale Heights, IL, U.S.A.
Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. Seller Inventory # ZEV.0816509441.G
Seller: GoldBooks, Denver, CO, U.S.A.
Paperback. Condition: new. New Copy. Customer Service Guaranteed. Seller Inventory # 38X77_76_0816509441
Seller: zenosbooks, San Francisco, CA, U.S.A.
paperback. Condition: Very Good in Wrappers. No Jacket. First Edition. Tucson. 2016. March 2016. University of Arizona Press. 1st American Edition. Very Good in Wrappers. 9780816509447. 6 x 9. 25 halftones, 3 line drawings. 256 pages. paperback. keywords: Native American Music Indigenous America. DESCRIPTION - Popular music compels, it entertains, and it has the power to attract and move audiences. With that in mind, the editors of Indigenous Pop showcase the contributions of American Indian musicians to popular forms of music, including jazz, blues, country-western, rock and roll, reggae, punk, and hip hop. From Joe Shunatona and the United States Indian Reservation Orchestra to Jim Pepper, from Buffy Saint-Marie to Robbie Robertson, from Joy Harjo to Lila Downs, Indigenous Pop vividly addresses the importance of Native musicians and popular musical genres, establishing their origins and discussing what they represent. Arranged both chronologically and according to popular generic forms, the book gives Indigenous pop a broad new meaning. In addition to examining the transitive influences of popular music on Indigenous expressive forms, the contributors also show ways that various genres have been shaped by what some have called the 'Red Roots' of American-originated musical styles. This recognition of mutual influence extends into the ways of understanding how music provides methodologies for living and survival. Each in-depth essay in the volume zeros in on a single genre and in so doing exposes the extraordinary whole of Native music. This book showcases the range of musical genres to which Native musicians have contributed and the unique ways in which their engagement advances the struggle for justice and continues age-old traditions of creative expression. inventory #42735. Seller Inventory # z42735
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 2nd edition. 264 pages. 8.75x6.00x0.75 inches. In Stock. Seller Inventory # __0816509441
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Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Seller: INDOO, Avenel, NJ, U.S.A.
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Popular music compels, it entertains, and it has the power to attract and move audiences. With that in mind, the editors of Indigenous Pop showcase the contributions of American Indian musicians to popular forms of music, including jazz, blues, country-western, rock and roll, reggae, punk, and hip hop. Editor(s): Berglund, Jeff; Johnson, Jan; Lee, Kimberli. Num Pages: 256 pages, 25 halftones, 3 line drawings. BIC Classification: 1KBB; AVG; JFSL9. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 18. Weight in Grams: 363. . 2016. First Edition, First ed. paperback. . . . . Seller Inventory # V9780816509447
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Seller Inventory # B9780816509447
Quantity: 1 available