The Human in Bits

Language: English

Published by Duke University Press, US, 2025

147803209X / 9781478032090

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In The Human in Bits, Kris Cohen examines black abstractionist painting to demonstrate how race and computation are intimately entangled with the personal computer's graphic user interface. He shows how the personal computer and the graphical field of its screen meant to transform the human by transforming what environments humans were to labor in. It also provided the means for whiteness to tie itself to notions of colorblind meritocracy. Cohen focuses on the post-1960s experiments of black abstractionists Alma Thomas, Jack Whitten, Charles Gaines, and Julie Mehretu, who developed a nonrepresentational approach to blackness that was oriented more toward constraint than human expression. From Gaines's use of grids to Mehretu's layering of paint, these artists - in their knowledge that black life had always been conflated with numbers and bits of information - flirted with repetition, systems, and formulas to test other ways of being human. By demonstrating how these artists bypassed the white fear that the human would become interchangeable with data, Cohen reframes modernism and modernist art to account for racialization in computational cultures.

Seller Inventory # LU-9781478032090

Title
The Human in Bits
Author
Kris Cohen
Publisher
Duke University Press, US
Publication year
2025
Condition
New
Binding
Paperback
Language
English
ISBN 10
147803209X
ISBN 13
9781478032090
Item weight
445 grams

Rarewaves USA

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