A History of Three-Dimensional Cinema
Language: English
Published by Anthem Press, GB, 2021
Series: Book 2 of 2 - Anthem Series on Exploitation and Industry in World Cinema
- Hardcover
- New
Seller: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
AbeBooks seller since June 10, 2025
Condition: New
£ 113.46
Quantity: Over 20 available
Add to basketItem description from seller
A History of Three-Dimensional Cinema chronicles 3-D cinema as a single, continuous and coherent medium, proceeding from 19th-century experiments in stereoscopic photography and lantern projection (1839-1892) to stereoscopic cinema's "long novelty period" (1893-1952). It proceeds to examine the first Hollywood boom in anaglyphic stereo (1953-1955), when the mainstream industry produced 69 features in 3-D, mostly action films that could exploit the depth illusion, but also a handful of big-budget films-for example, Kiss Me Kate (George Sidney, 1953) and Dial M for Murder (Alfred Hitchcock, 1954)-until audiences tired of the process; the anaglyphic revival of 1970-1985, when 3-D was sustained as a novelty feature in sensational genres like soft-core pornography and horror; the age of IMAX 3-D (1986-2008); the current era of digital 3-D cinema, which began in 2009 when James Cameron's Avatar became the highest-grossing feature of all time and the studios once again stampeded into 3-D production; and finally the future promise of Virtual Reality.…
Seller Inventory # LU-9781839980121
- Title
- A History of Three-Dimensional Cinema
- Author
- David A. Cook
- Publisher
- Anthem Press, GB
- Publication year
- 2021
- Condition
- New
- Binding
- Hardback
- Language
- English
- ISBN 10
- 1839980125
- ISBN 13
- 9781839980121
- Item weight
- 454 grams
- Series
- Book 2 of 2: Anthem Series on Exploitation and Industry in World Cinema
A History of Three-Dimensional Cinema chronicles 3-D cinema as a single, continuous and coherent medium, proceeding from 19th-century experiments in stereoscopic photography and lantern projection (1839–1892) to stereoscopic cinema’s “long novelty period” (1893–1952). It proceeds to examine the first Hollywood boom in anaglyphic stereo (1953–1955), when the mainstream industry produced 69 features in 3-D, mostly action films that could exploit the depth illusion, but also a handful of big-budget films―for example, Kiss Me Kate (George Sidney, 1953) and Dial M for Murder (Alfred Hitchcock, 1954)―until audiences tired of the process; the anaglyphic revival of 1970–1985, when 3-D was sustained as a novelty feature in sensational genres like soft-core pornography and horror; the age of IMAX 3-D (1986–2008); the current era of digital 3-D cinema, which began in 2009 when James Cameron’s Avatar became the highest-grossing feature of all time and the studios once again stampeded into 3-D production; and finally the future promise of Virtual Reality.
"Synopsis" may belong to another edition of this title.
About the Author
David A. Cook is a Professor of Media Studies at the University of North Carolina at Greensboro, USA, and the author of A History of Narrative Film (2016).
"About the title" may belong to another edition of this title.
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