A History of Opera. This item is unavailable.
Abbate, Carolyn; Parker, Roger
360 ratings by Goodreads
Language: English
Published by W. W. Norton & Company, 2015
- Softcover
- Used

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Softcover
Condition: Used - Good
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Item description from seller
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Seller Inventory # G0393348954I3N00
- Title
- A History of Opera
- Author
- Abbate, Carolyn; Parker, Roger
- Publisher
- W. W. Norton & Company
- Publication year
- 2015
- Condition
- Good
- Dust jacket
- No Jacket
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0393348954
- ISBN 13
- 9780393348958
- Item weight
- 1.8 pounds
Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their "effervescent, witty" (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this "lucid and sweeping" (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre's most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer-- physically, emotionally, intellectually--with its enduring power.
"Synopsis" may belong to another edition of this title.
About the Author
Carolyn Abbate, professor of music at Harvard University, is the author of Unsung Voices and In Search of Opera. She writes on film, philosophy, and opera and has also worked as a translator and dramaturge. She lives in Princeton, New Jersey.
Roger Parker, professor of music at King's College London, writes on opera and music in London. He is the author of Leonora's Last Act and Remaking the Song and was a founding coeditor of the Cambridge Opera Journal. He lives in Hampshire.
Roger Parker, professor of music at King's College London, writes on opera and music in London. He is the author of Leonora's Last Act and Remaking the Song and was a founding coeditor of the Cambridge Opera Journal. He lives in Hampshire.
"About the title" may belong to another edition of this title.