Hindi Cinema: Repeating the Subject (Intersections: Colonial and Postcolonial Histories)
Language: English
Published by Routledge, 2012
- Hardcover
- New
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Condition: New
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Add to basketItem description from seller
Series: Intersections: Colonial and Postcolonial Histories. Num Pages: 232 pages, 8 black & white illustrations, 8 black & white halftones. BIC Classification: 1FKA; APFA; JFD; JFSL. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 240 x 163 x 19. Weight in Grams: 486. . 2012. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
Seller Inventory # V9780415698672
- Title
- Hindi Cinema: Repeating the Subject (Intersections: Colonial and Postcolonial Histories)
- Author
- Bhattacharya, Nandini
- Publisher
- Routledge
- Publication year
- 2012
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0415698677
- ISBN 13
- 9780415698672
Hindi Cinema is full of instances of repetition of themes, narratives, plots and characters. By looking at 60 years of Hindi cinema, this book focuses on the phenomenon as a crucial thematic and formal code that is problematic when representing the national and cinematic subject. It reflects on the cinema as motivated by an ongoing crisis of self-formation in modern India.
The book looks at how cinema presents liminal and counter-modern identities emerging within repeated modern attempts to re-enact traumatic national events so as to redeem the past and restore a normative structure to happenings. Establishing structure and event as paradigmatic poles of a historical and anthropological spectrum for the individual in society, the book goes on to discuss cinematic portrayals of violence, gender embodiment, religion, economic transformations and new globalised Indianness as events and sites of liminality disrupting structural aspirations.
After revealing the impossibility of accurate representation of incommensurable and liminal subjects within the historiography of the nation-state, the book highlights how Hindi cinema as an ongoing engagement with the nation-state as a site of eventfulness draws attention to the problematic nature of the thematic of nation. It is a useful study for academics of Film Studies and South Asian Culture.
"Synopsis" may belong to another edition of this title.
About the Author
Nandini Bhattacharya is Professor of English and affiliate of Film, Women’s Studies and Africana Studies programs at Texas A&M University, USA. Her interests include South Asia, Postcoloniality, Cinema, Gender and Transnationalism.
"About the title" may belong to another edition of this title.
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