Hilma af Klint & Piet Mondrian (Paperback)

Nabila Abdel Nabi

ISBN 10: 1849768455 / ISBN 13: 9781849768450

Published by Tate Publishing, London, 2023

About this Item

Paperback. Tate Modern Exhibition, 20 APRIL - 3 SEPTEMBER 2023Although they never met, Hilma af Klint and Piet Mondrian shared a deep dynamic connection to the natural world and began their careers as landscape painters. For them, science and mysticism were not exclusive practices, but part of the same essential framework for understanding the life forces around them. Both artists engaged with science and esoteric thought as tools for exploring the underlying structures of nature and how they give meaning to art and life. Natural forms are abstracted to their atomic levels; cells evolve, dividing and expanding the canvas in colour; sinuous stems spiral into the ether whilst the crystalline formations of grids stretch out to form an infinite universe. Including works never before seen in the UK, this publication will elucidate and invigorate our understanding of two ground-breaking artists and will be sure to get synapses firing. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Seller Inventory # 9781849768450

Bibliographic Details

• Title: Hilma af Klint & Piet Mondrian (Paperback)
• Publisher: Tate Publishing, London
• Publication Date: 2023
• Language: English
• ISBN 10: 1849768455
• ISBN 13: 9781849768450
• Binding: Paperback
• Condition: new

About this title

Synopsis

For the first time, the complex, symbiotic ecologies that sustained the practices of two of the twentieth-century's greatest painters are revealed.

Although they never met, Hilma af Klint and Piet Mondrian shared a deep dynamic connection to the natural world and began their careers as landscape painters. For them, science and mysticism were not exclusive practices, but part of the same essential framework for understanding the life forces around them.

Both artists engaged with science and esoteric thought as tools for exploring the underlying structures of nature and how they give meaning to art and life. Natural forms are abstracted to their atomic levels; cells evolve, dividing and expanding the canvas in colour; sinuous stems spiral into the ether whilst the crystalline formations of grids stretch out to form an infinite universe.

Including works never before seen in the UK, this publication will elucidate and invigorate our understanding of two ground-breaking artists and will be sure to get synapses firing.

About the Author

Nabila Abdel Nabi worked as an Associate Curator at The Power Plant, Toronto, and prior to this as Gallery Manager (Exhibitions) in The Third Line, Dubai. Nabila has worked on solo exhibitions and facilitated new commissions by artists including Abbas Akhavan, Kader Attia, Omar Ba and Amalia Pica, among others. She has curated the forthcoming Hajra Waheed exhibition Hold Everything Dear at The Power Plant, Toronto and was previously Art Editor at literary magazine The Point. Nabila holds an MA History of Art from The Courtauld Institute of Art.

Laura Stamps is curator of Modern and Contemporary Art at Kunstmuseum Den Haag and has previously worked at KM21 Den Haag. She worked on international exhibitions and catalogues of Alice Neel, Lee Bontecou, Paula Rego and Constant. New Babylon.

Briony Fer is an art historian who has written extensively on modern and contemporary art. Her research interests have consistently moved between the history of the avant-gardes and the work of contemporary artists, including Zoe Leonard, Gabriel Orozco, Roni Horn, Vija Celmins and Tacita Dean. Her books include On Abstract Art (1997) and The Infinite Line (2004)and Eva Hesse: Studiowork (2009) and Gabriel Orozco: thinking in circles (Fruitmarket Gallery, Edinburgh, 2013). She co-curated the Anni Albers retrospective with Maria Muller-Schareck and Ann Coxon at Tate Modern and K20 Dusseldorf in 2018. She is Professor of History of Art at University College London and a Fellow of the British Academy.