The Hiding Place: A Novel. This item is unavailable.The Hiding Place: A Novel

This exceptional novel about family, love, and the innocence and terror of childhood was one of the most applauded and auspicious debuts of the last year. Compared by reviewers to Angela's Ashes and Wuthering Heights, The Hiding Place was the only debut work to be shortlisted for England's prestigious Booker Prize -- in the company of Kazuo Ishiguro and Margaret Atwood -- and went on to become a universally praised U.S. national best-seller. Set in a Maltese immigrant community in Cardiff, Wales, and peopled with sharp-edged, luminously drawn characters, The Hiding Place is the story of Frankie Gauci, his wife, Mary, and their six daughters. With her "unusual gift for letting her characters' interior lives come forth" (The Atlanta Journal-Constitution), Azzopardi chronicles Frankie's unforgivable betrayal: gambling away his family's livelihood and eventually the family itself. The Gaucis' story is seen through the eyes of Dolores, the youngest daughter and the embodiment of bad luck in her father's estimation, condemned to bear the mark of a family that is rapidly singeing at the edges. Dolores presents an unsparing portrayal of the fear and hopelessness of childhood amid grim poverty and neglect, of children growing up without safety nets and on sunken foundations. Sustained by a tightrope tension and a stark, youthful wisdom, The Hiding Place conjures the coarse sensuality of life among the docks, the smoky cafes and bars, the crumbling homes and gambling rooms of Tiger Bay. "Astonishing and iridescent" (The Times, London), The Hiding Place is a mesmerizing exploration of how family, like fire, can shift suddenly from something that provides light and warmth to a dangerous conflagration, sparing no one in its path. "A harrowing and remarkably self-assured first novel [that] possesses all the immediacy and emotional power of a memoir...." -- Michiko Kakutani, The New York Times

Trezza Azzopardi's mesmerising debut novel, the Booker-shortlisted The Hiding Place, chronicles the life of a Maltese immigrant family in 1960s Cardiff, Wales, and is a beautifully evocative tale that ignites memories of family, childhood, violence and poverty for one young woman.

Returning to Tiger Bay, Cardiff, for her mother's funeral, Dolores Gauci encounters her sisters for the first time in 30 years after Social Services disbanded them following their father Frankie's abandonment and their mother Mary's attempted suicide. For Dol, aged five when her family is splintered apart, memory is a broken glass pane--a jagged window into the past, permitting only a distorted view and sharp, painful images. Dol remembers the fire, as it licked and then devoured her arm; the rabbit's skin being peeled from flesh,; the self-inflicted scars on her sister's arms; her father's belt cutting into skin.

Sifting through the embers of her childhood, Dol desperately tries to rekindle a flame in her deadened family. Confronting ghosts past and present, she draws a palpable picture of a childhood long-forgotten. Sight, sound, smell and touch caress and burn the reader's senses. Azzopardi questions how Dol, a child at the time, can "remember" and casts into sharp relief the fallibility of the individual's perception of the world--seen from multiple perspectives, there can never be one truth. She revels in disorienting the reader by glimpsing the world from the most unusual, exhilarating angles:

"This is what happens just before I am born: It's 1960. My parents, Frankie and Mary, have five beautiful daughters."

Like an impressionist painter, the author can with just a few simple strokes bring a scene to vibrant life, whether it is the single girls in the bar who leave "the imprints of their bored thighs" remaining "awhile upon the shiny leatherette" or the matchless beauty of the descriptions of Dol's deformity: "a closed white tulip standing in the rain, a church candle with its tears flowing down the bulb of a wrist". Azzopardi's bright flame is sure to burn for a long time to come. --Nicola Perry